Tatjana Komarova, Sheila Arnold made "Thema mit Variationen: No. 4, Variation III" available on April 2, 2004. With Thema mit Variationen: No. 4, Variation III being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. There are a total of 43 in the song's album "Thème varié". In this album, this song's track order is #39. Furthermore, we believe that the track originated from Germany. Thema mit Variationen: No. 4, Variation III is unknown right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
With Thema mit Variationen: No. 4, Variation III by Tatjana Komarova, Sheila Arnold having a BPM of 80 with a half-time of 40 BPM and a double-time of 160 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song has a musical key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Tout un monde lointain…: V. Hymne | Henri Dutilleux, Jean-Guihen Queyras, Gustavo Gimeno, Orchestre Philharmonique Du Luxembourg | D♭ Major | 1 | 3B | 74 BPM | ||
Nocturne No. 7 in C-Sharp Minor, Op. 74 (1898) | Brad Mehldau | E♭ Major | 0 | 5B | 63 BPM | ||
II. Intermezzo | Morton Feldman, Marilyn Nonken, Stephen Marotto | B♭ Minor | 0 | 3A | 164 BPM | ||
Sopra Demais o Vento | André Mehmari, Alejandro Aldana | D Major | 1 | 10B | 101 BPM | ||
Bizet: Jeux d'enfants, Op. 22, WD 56: No. 12, Le bal | Georges Bizet, Alexandre Tharaud, Martin James Bartlett | B♭ Major | 2 | 6B | 120 BPM | ||
Tchaikovsky: The Sleeping Beauty, Op. 66, Act 1 "The Spell": No. 6, Waltz (Arr. Rachmaninov for Piano 4-Hands) | Pyotr Ilyich Tchaikovsky, Alexandre Tharaud, Alexander Melnikov | D Minor | 1 | 7A | 90 BPM | ||
25 Preludes, Op. 64: No. 15 in D-Flat Major | César Cui, Jouni Somero | D♭ Major | 0 | 3B | 57 BPM | ||
Cirandas, W220: No. 16, Có-Có-Có | Heitor Villa-Lobos, Wilhem Latchoumia | B Minor | 3 | 10A | 62 BPM | ||
Nocturne No. 6 in D-Flat Major, Op. 63 | Gabriel Fauré, Lucas Debargue | C Major | 0 | 8B | 69 BPM | ||
Spring | YAKSHA MUSIK | D♭ Major | 2 | 3B | 117 BPM |
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