"Pastorale Song (Collage by Martin Stadtfeld from Symphony No. 6 in F Major, Op. 68 in the arrangement of Franz Liszt)" by Ludwig van Beethoven, Martin Stadtfeld was released on April 10, 2020. The duration of Pastorale Song (Collage by Martin Stadtfeld from Symphony No. 6 in F Major, Op. 68 in the arrangement of Franz Liszt) is about 3 minutes long, at 3:01. Based on our data, "Pastorale Song (Collage by Martin Stadtfeld from Symphony No. 6 in F Major, Op. 68 in the arrangement of Franz Liszt)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 8 out of 28 in Beethoven für Kinder by Ludwig van Beethoven, Martin Stadtfeld. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Pastorale Song (Collage by Martin Stadtfeld from Symphony No. 6 in F Major, Op. 68 in the arrangement of Franz Liszt) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Pastorale Song (Collage by Martin Stadtfeld from Symphony No. 6 in F Major, Op. 68 in the arrangement of Franz Liszt) by Ludwig van Beethoven, Martin Stadtfeld is Adagio (slowly with great expression), since this song has a tempo of 70 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song is in the music key of D♭ Minor. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Etudes symphoniques (Symphonic Etudes), Op. 13, Adagio and Allegro brillante: Variation 11 [arr. P.I. Tchaikovsky for orchestra] | Seattle Symphony Orchestra, Robert Schumann, Gerard Schwarz | A Minor | 0 | 8A | 70 BPM | ||
Piano Sonata No.8 In C Minor, Op.13 -"Pathétique": 1. Grave - Allegro di molto e con brio | Ludwig van Beethoven, Daniel Barenboim | C Minor | 1 | 5A | 74 BPM | ||
Holberg Suite, Op. 40: 2. Sarabande (Andante) | Edvard Grieg, Gothenburg Symphony Orchestra, Neeme Järvi | G Major | 0 | 9B | 75 BPM | ||
Rondo capriccioso in E Major, Op. 14, MWV U67: 1. Andante | Felix Mendelssohn, Jan Lisiecki | E Major | 0 | 12B | 70 BPM | ||
The Hebrides, Op. 26 (Fingal's Cave) | Felix Mendelssohn, Wiener Philharmoniker, Christoph von Dohnányi | A Minor | 3 | 8A | 96 BPM | ||
Schubert: 4 Impromptus, Op. 90, D. 899: No. 3 in G-Flat Major | Franz Schubert, Rudolf Buchbinder | G Major | 0 | 9B | 135 BPM | ||
Má Vlast, JB1:112: 2. Vltava | Bedřich Smetana, Wiener Philharmoniker, Herbert von Karajan | E Minor | 1 | 9A | 78 BPM | ||
L'Arlésienne Suite No. 2: Menuet | Georges Bizet, Orchestre Symphonique de Montréal, Charles Dutoit | E♭ Major | 0 | 5B | 128 BPM | ||
Cello Concerto No. 1 in A Minor, Op. 33: I. Allegro non troppo | Camille Saint-Saëns, Mischa Maisky, Orpheus Chamber Orchestra | F Major | 2 | 7B | 131 BPM | ||
Sinfonia in D Major, "La Veneziana": II. Andantino grazioso | Antonio Salieri, Chopin Chamber Orchestra, Winston Dan Vogel | G Major | 0 | 9B | 78 BPM |
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