"Tres Cartas de Mexico: 1. Allegro gais" by Miguel Bernal Jiménez, Orquesta Filarmónica de la Ciudad de México, Enrique Bátiz, Cecilia López, Juan Reves, Jesús Ruiz, Alfredo Sanchez Oviedo was released on January 1, 1994. The duration of Tres Cartas de Mexico: 1. Allegro gais is about 3 minutes long, at 3:18. Based on our data, "Tres Cartas de Mexico: 1. Allegro gais" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Orquesta Filarmónica de la Ciudad de México, Enrique Bátiz's "Musica Mexicana Vol. 4" album is number 4 out of 11. Tres Cartas de Mexico: 1. Allegro gais is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Tres Cartas de Mexico: 1. Allegro gais by Miguel Bernal Jiménez, Orquesta Filarmónica de la Ciudad de México, Enrique Bátiz, Cecilia López, Juan Reves, Jesús Ruiz, Alfredo Sanchez Oviedo to be Adagio (slowly with great expression) because the track has a tempo of 76 BPM, a half-time of 38BPM, and a double-time of 152 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
4 Virreinal: No. 1. Allegro | Miguel Bernal Jiménez, Alauda Ensemble, Samuel Champion | A♭ Major | 4 | 4B | 112 BPM | ||
Peer Gynt, Op.23 - Incidental Music: No.13. Morning Mood | Edvard Grieg, San Francisco Symphony, Herbert Blomstedt | E Major | 0 | 12B | 66 BPM | ||
Requiem In D Minor, K.626: 7. Agnus Dei | Wolfgang Amadeus Mozart, Anna Tomowa-Sintow, Wiener Singverein, Wiener Philharmoniker, Herbert von Karajan | F Major | 1 | 7B | 87 BPM | ||
Huapango | Orquesta Filarmónica de la Ciudad de México, Fernando Lozano, Irma Gonzales | G Major | 3 | 9B | 178 BPM | ||
Intermezzo - Remasterizado | Manuel Ponce, Luis Cobos | E Minor | 1 | 9A | 119 BPM | ||
Catedral, 24 Piezas para Órgano - N13 Lamentatio | Miguel Bernal Jiménez, Diego BaltazarS | G Minor | 1 | 6A | 69 BPM | ||
Nulla in mundo pax, RV 630: 1. Nulla in mundo pax | Antonio Vivaldi, Emma Kirkby, Academy of Ancient Music, Christopher Hogwood | E♭ Major | 1 | 5B | 99 BPM | ||
Baby Mothers Unshamed Mothers | Danke Timi Briggs | G Minor | 2 | 6A | 147 BPM | ||
Suite pour instruments d'archet et flûte, P. 57: I. Badinage | Ottorino Respighi, Roberto Fabbriciani, Orchestra Sinfonica Abruzzese, Nicola Paszkowski | B Minor | 1 | 10A | 85 BPM | ||
Concerto Grosso In D Major, Op. 6, No. 1 : III. Largo | Arcangelo Corelli, Daniela Ruso, Anna Holbling, Ludovit Kanta, Quido Holbling, Capella Istropolitana | D Major | 1 | 10B | 78 BPM |
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