"Decorations: Amberley Wild Brooks - Duo-Art 577" by John Ireland, Peter Phillips was released on February 29, 2024. The duration of Decorations: Amberley Wild Brooks - Duo-Art 577 is about 3 minutes long, at 3:15. Based on our data, "Decorations: Amberley Wild Brooks - Duo-Art 577" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 15 out of 24 in Caprice. Heritage Piano Music of Dvořák, Mendelssohn and Ravel by Xaver Scharwenka, Felix Mendelssohn, Antonín Dvořák, Maurice Ravel, Anton Rubinstein. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Decorations: Amberley Wild Brooks - Duo-Art 577 is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Decorations: Amberley Wild Brooks - Duo-Art 577 by John Ireland, Peter Phillips is Adagio (slowly with great expression), since this song has a tempo of 72 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of B Major. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Tallis: Spem in Alium - 4. Respice (Repeat) | The Tallis Scholars, Peter Phillips | D Major | 3 | 10B | 89 BPM | ||
And I Saw a New Heaven | Edgar Leslie Bainton, The Choir of The Queen's College Oxford, Rebecca Baker, Owen Rees | G Major | 1 | 9B | 75 BPM | ||
All-Night Vigil, Op. 37: Hail Mary | Sergei Rachmaninoff, Victor Rumyantsev, State Symphony Capella of Russia, Valery Polyansky | B Major | 1 | 1B | 126 BPM | ||
Mass in E-Flat Major (Cantus missae), Op.109: VI. Agnus Dei | Josef Rheinberger, Kammerchor Stuttgart, Ensemble Stuttgart, Frieder Bernius | E♭ Major | 1 | 5B | 76 BPM | ||
Burial Sentences: III. We Brought Nothing Into This World | William Croft, Michael Bawtree, Annabell McLauchlan, David Rowland | F Minor | 0 | 4A | 88 BPM | ||
Ave verum corpus in E-Flat Major | Camille Saint-Saëns, Convivium Singers, Neil Ferris | D♭ Major | 0 | 3B | 81 BPM | ||
Missa rigensis (2002): Kyrie eleison | Ugis Praulins, Kammerchor I Vocalisti, Hans-Joachim Lustig | C Minor | 2 | 5A | 137 BPM | ||
Communion Service in C Major: Kyrie | John Ireland, Lincoln Cathedral Choir, Charles Harrison, Aric Prentice | F Major | 0 | 7B | 74 BPM | ||
Son of God Mass: Kyrie meditation | James Whitbourn, Westminster Williamson Voices, Jeremy Powell, Ken Cowan, James Jordan | G Minor | 1 | 6A | 126 BPM | ||
Panteley the Healer for mixed Chorus | Sergei Rachmaninoff, Valery Polyansky, State Symphony Capella of Russia | E Minor | 1 | 9A | 91 BPM |
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