"Penderecki: Polymorphia" by Krzysztof Penderecki, Jonny Greenwood, AUKSO Orchestra was released on March 9, 2012. Since Penderecki: Polymorphia is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 15 in the song's album "Penderecki & Greenwood: Threnody for the Victims of Hiroshima / Popcorn Superhet Receiver / Polymorphia / 48 Responses to Polymorphia". In this album, this song's track order is #6. Furthermore, we believe that the track originated from United States. Penderecki: Polymorphia is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Penderecki: Polymorphia by Krzysztof Penderecki, Jonny Greenwood, AUKSO Orchestra having a BPM of 84 with a half-time of 42 BPM and a double-time of 168 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of E Minor. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Pärt: Cantus in Memoriam Benjamin Britten | Arvo Pärt, Bournemouth Sinfonietta, Richard Studt | A Minor | 1 | 8A | 82 BPM | ||
Moving Through Time | Angelo Badalamenti | C Major | 1 | 8B | 81 BPM | ||
The Dorian Horizon for 17 Strings | Toru Takemitsu, Seiji Ozawa, Toronto Symphony Orchestra | B♭ Minor | 1 | 3A | 77 BPM | ||
7 Papillons: No. 4. — | Kaija Saariaho, Anssi Karttunen | G Major | 0 | 9B | 79 BPM | ||
Polymorphia | Krzysztof Penderecki, Warsaw Philharmonic Orchestra, Antoni Wit | F Minor | 3 | 4A | 86 BPM | ||
Final Fight | Ryuichi Sakamoto, alva noto | B Minor | 3 | 10A | 169 BPM | ||
String Quartet No. 7: Scurrying, Forceful, Intense | Ben Johnston, Kepler Quartet | G Major | 4 | 9B | 86 BPM | ||
Knee 2 | Philip Glass Ensemble | A Minor | 2 | 8A | 131 BPM | ||
MGV (Musique à Grande Vitesse) 1993 (for the inauguration of the TGV North European line): 1st Region | Michael Nyman, Michael Nyman Band | G Minor | 2 | 6A | 140 BPM | ||
In Stori Stif And Stronge | Daniel Hart | D♭ Major | 2 | 3B | 139 BPM |
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