"Point of Tranquility: III. Maestoso" by Kenneth Fuchs, Sinfonia Of London, John Wilson had its release date on June 14, 2024. With This song being less than two minutes long, at 1:19, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Kenneth Fuchs, Sinfonia Of London, John Wilson, James Buckle, Timothy McAllister's "Kenneth Fuchs: Orchestral Works, Vol. 2" album is number 25 out of 28. On top of that, United Kingdom appears to be the country where this track was created. Point of Tranquility: III. Maestoso is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Point of Tranquility: III. Maestoso by Kenneth Fuchs, Sinfonia Of London, John Wilson to be Adagio (slowly with great expression) because the track has a tempo of 76 BPM, a half-time of 38BPM, and a double-time of 152 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Trumpet Concerto in B-Flat Major, Op. 94: I. Etudes: II | Mieczysław Weinberg, Sergei Nakariakov, Christian Lindberg, Liepaja Symphony Orchestra | D Minor | 4 | 7A | 93 BPM | ||
Bass Trombone Concerto: II. Allegro | Kenneth Fuchs, James Buckle, Sinfonia Of London, John Wilson | F Major | 1 | 7B | 93 BPM | ||
Concerto for Piano and Orchestra: II. Presto | Richard Rodney Bennett, John Wilson, BBC Scottish Symphony Orchestra, Michael McHale | A Minor | 2 | 8A | 90 BPM | ||
Oklahoma!: No. 18, Entr'acte | Richard Rodgers, Sinfonia Of London, John Wilson | B♭ Major | 2 | 6B | 153 BPM | ||
Happy Tears | Sinfonia Of London | G Major | 0 | 9B | 110 BPM | ||
Viola Sonata, Op. 147: II. Allegretto | Dmitri Shostakovich, Maxim Rysanov, Marianna Shirinyan | F♯ Major | 1 | 2B | 121 BPM | ||
Turangalîla-Symphony: II. Chant d'amour. 1 Modéré, lourd | Olivier Messiaen, Toronto Symphony Orchestra, Gustavo Gimeno, Marc-André Hamelin, Nathalie Forget | D♭ Major | 5 | 3B | 85 BPM | ||
Cello Concerto 'Earth, Sea, Air': II. Sea | Cheryl Frances-Hoad, Laura van der Heijden, BBC Scottish Symphony Orchestra, Ryan Wigglesworth | D Major | 3 | 10B | 85 BPM | ||
12 Romances, Op. 21: No. 7, How Fair this Spot (arr. for piano trio by Alexander Panfilov) | Sergei Rachmaninoff, Christoph Croisé, Andrey Baranov, Alexander Panfilov | C Major | 1 | 8B | 97 BPM | ||
Elgar: Introduction and Allegro, Op. 47: II. Allegro | Edward Elgar, Sir John Barbirolli, Allegri String Quartet, Sinfonia Of London | G Major | 6 | 9B | 100 BPM |