Tomasi: Trumpet Concerto: III. Finale
Henri Tomasi, Sergei Nakariakov, Orchestre de Chambre de Lausanne, Jesús López-Cobos
Haydn, Hummel, Tomasi & Jolivet: Trumpet Concertos
3:01 January 1, 1993
BPM
77
Key
F Major
Camelot
7B

Embed

Share Link

Tomasi: Trumpet Concerto: III. Finale - Henri Tomasi, Sergei Nakariakov, Orchestre de Chambre de Lausanne, Jesús López-Cobos Information

Acousticness
87%
Danceability
43%
Energy
41%
Instrumentalness
82%
Liveness
24%
Loudness
72%
Speechiness
5%
Valence
35%
Popularity
Loudness
-16.731 dB

Summary

Henri Tomasi, Sergei Nakariakov, Orchestre de Chambre de Lausanne, Jesús López-Cobos's 'Tomasi: Trumpet Concerto: III. Finale' came out on January 1, 1993. The duration of Tomasi: Trumpet Concerto: III. Finale is about 3 minutes long, at 3:01. Based on our data, "Tomasi: Trumpet Concerto: III. Finale" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Sergei Nakariakov, Orchestre de Chambre de Lausanne, Jesús López-Cobos's "Haydn, Hummel, Tomasi & Jolivet: Trumpet Concertos" album is number 4 out of 10. Tomasi: Trumpet Concerto: III. Finale is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.

Tomasi: Trumpet Concerto: III. Finale BPM

We consider the tempo marking of Tomasi: Trumpet Concerto: III. Finale by Henri Tomasi, Sergei Nakariakov, Orchestre de Chambre de Lausanne, Jesús López-Cobos to be Andante (at a walking pace) because the track has a tempo of 77 BPM, a half-time of 38BPM, and a double-time of 154 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.

Tomasi: Trumpet Concerto: III. Finale Key

This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Canzonette a tre voci (Excerpts Arr. for Tuba Trio): No. 10, Quando sperai del mio servir mercede, SV 10 by Claudio Monteverdi, Trio 21meter60, Constantin Hartwig, Steffen Schmid, Fabian NeckermannCanzonette a tre voci (Excerpts Arr. for Tuba Trio): No. 10, Quando sperai del mio servir mercede, SV 10Claudio Monteverdi, Trio 21meter60, Constantin Hartwig, Steffen Schmid, Fabian NeckermannG Major09B68 BPM
Prélude, cadence et finale by Alfred Desenclos, Ivo Janssen, Arno BornkampPrélude, cadence et finaleAlfred Desenclos, Ivo Janssen, Arno BornkampE♭ Minor12A85 BPM
Piano Concerto No. 1 in A Major, Sz. 83: I. Allegro moderato — Allegro by Béla Bartók, Pierre-Laurent Aimard, San Francisco Symphony, Esa-Pekka SalonenPiano Concerto No. 1 in A Major, Sz. 83: I. Allegro moderato — AllegroBéla Bartók, Pierre-Laurent Aimard, San Francisco Symphony, Esa-Pekka SalonenC Major28B114 BPM
Scherzo by John Cheetham, Quintetto InflagrantiScherzoJohn Cheetham, Quintetto InflagrantiF Major07B151 BPM
Gil Blas: Theme. Allegro vivo by Jules Strens, Matty Cilissen, Royal Band of the Belgian Air ForceGil Blas: Theme. Allegro vivoJules Strens, Matty Cilissen, Royal Band of the Belgian Air ForceF Minor04A176 BPM
Consolations, S. 172 (Excerpts Arr. P. Dörpinghaus for Chamber Ensemble): I. Andante con moto by Franz Liszt, Salaputia BrassConsolations, S. 172 (Excerpts Arr. P. Dörpinghaus for Chamber Ensemble): I. Andante con motoFranz Liszt, Salaputia BrassD♭ Major03B71 BPM
Gra - for solo clarinet (1993) by Alain DamiensGra - for solo clarinet (1993)Alain DamiensE Minor09A138 BPM
Quintet No. 3 in D-Flat Major, Op. 11: IV. Vivo by Victor Ewald, Center City Brass QuintetQuintet No. 3 in D-Flat Major, Op. 11: IV. VivoVictor Ewald, Center City Brass QuintetD♭ Major13B123 BPM
Para clarinete by Juan Pablo Fernández RamosPara clarineteJuan Pablo Fernández RamosA Major011B67 BPM
Pulcinella, Ballet in One Act After Pergolesi for Soprano, Tenor, Bass, Soloists and Orchestra: XVIII. Vivo by Igor Stravinsky, Vladimir Jurowski, London Philharmonic OrchestraPulcinella, Ballet in One Act After Pergolesi for Soprano, Tenor, Bass, Soloists and Orchestra: XVIII. VivoIgor Stravinsky, Vladimir Jurowski, London Philharmonic OrchestraG Minor06A140 BPM
ISRC
This song does not have an ISRC.
Label
L-M Records/RCA Records

Section: 1.0881071090698242

End: 1.0918059349060059