Henri Tomasi, Sergei Nakariakov, Orchestre de Chambre de Lausanne, Jesús López-Cobos's 'Tomasi: Trumpet Concerto: III. Finale' came out on January 1, 1993. The duration of Tomasi: Trumpet Concerto: III. Finale is about 3 minutes long, at 3:01. Based on our data, "Tomasi: Trumpet Concerto: III. Finale" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Sergei Nakariakov, Orchestre de Chambre de Lausanne, Jesús López-Cobos's "Haydn, Hummel, Tomasi & Jolivet: Trumpet Concertos" album is number 4 out of 10. Tomasi: Trumpet Concerto: III. Finale is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Tomasi: Trumpet Concerto: III. Finale by Henri Tomasi, Sergei Nakariakov, Orchestre de Chambre de Lausanne, Jesús López-Cobos to be Andante (at a walking pace) because the track has a tempo of 77 BPM, a half-time of 38BPM, and a double-time of 154 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Canzonette a tre voci (Excerpts Arr. for Tuba Trio): No. 10, Quando sperai del mio servir mercede, SV 10 | Claudio Monteverdi, Trio 21meter60, Constantin Hartwig, Steffen Schmid, Fabian Neckermann | G Major | 0 | 9B | 68 BPM | ||
Prélude, cadence et finale | Alfred Desenclos, Ivo Janssen, Arno Bornkamp | E♭ Minor | 1 | 2A | 85 BPM | ||
Piano Concerto No. 1 in A Major, Sz. 83: I. Allegro moderato — Allegro | Béla Bartók, Pierre-Laurent Aimard, San Francisco Symphony, Esa-Pekka Salonen | C Major | 2 | 8B | 114 BPM | ||
Scherzo | John Cheetham, Quintetto Inflagranti | F Major | 0 | 7B | 151 BPM | ||
Gil Blas: Theme. Allegro vivo | Jules Strens, Matty Cilissen, Royal Band of the Belgian Air Force | F Minor | 0 | 4A | 176 BPM | ||
Consolations, S. 172 (Excerpts Arr. P. Dörpinghaus for Chamber Ensemble): I. Andante con moto | Franz Liszt, Salaputia Brass | D♭ Major | 0 | 3B | 71 BPM | ||
Gra - for solo clarinet (1993) | Alain Damiens | E Minor | 0 | 9A | 138 BPM | ||
Quintet No. 3 in D-Flat Major, Op. 11: IV. Vivo | Victor Ewald, Center City Brass Quintet | D♭ Major | 1 | 3B | 123 BPM | ||
Para clarinete | Juan Pablo Fernández Ramos | A Major | 0 | 11B | 67 BPM | ||
Pulcinella, Ballet in One Act After Pergolesi for Soprano, Tenor, Bass, Soloists and Orchestra: XVIII. Vivo | Igor Stravinsky, Vladimir Jurowski, London Philharmonic Orchestra | G Minor | 0 | 6A | 140 BPM |
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