"10 Romances, Op. 52: No. 10, By the Sea" by Nikolai Myaskovsky, Olga Solovieva, Ilya Kuzmin was released on July 7, 2023. The duration of 10 Romances, Op. 52: No. 10, By the Sea is about two minutes long, specifically at 2:38. This song does not appear to have any foul language. 10 Romances, Op. 52: No. 10, By the Sea's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Nikolai Myaskovsky, Ilya Kuzmin, Dzambolat Dulaev, Olga Solovieva's "Myaskovsky: Vocal Works, Vol. 2" album is number 22 out of 28. On top of that, United Kingdom appears to be the country where this track was created. In terms of popularity, 10 Romances, Op. 52: No. 10, By the Sea is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of 10 Romances, Op. 52: No. 10, By the Sea by Nikolai Myaskovsky, Olga Solovieva, Ilya Kuzmin to be Andante (at a walking pace) because the track has a tempo of 99 BPM, a half-time of 50BPM, and a double-time of 198 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
6 Charakterstücke, Op. 33: No. 4, Ständchen (Serenade) | Christian Sinding, Eva Knardahl | A♭ Major | 0 | 4B | 69 BPM | ||
25 Études faciles et progressives, Op. 100: No. 23, Retour | Franz Burgmüller, The Gerst Ensemble | B♭ Major | 0 | 6B | 63 BPM | ||
Violin Sonata in E-Flat Major: II. Andante cantabile | Elfrida Andrée, Annette-Barbara Vogel, Durval Cesetti | A Minor | 1 | 8A | 126 BPM | ||
Symphony No. 5 in E-flat major, Op. 82: II. Andante mosso, quasi allegretto | Jean Sibelius, Orchestre Métropolitain, Yannick Nézet-Séguin | G Major | 0 | 9B | 129 BPM | ||
Lied, Op. 19 (version for cello and piano) | Vincent d'Indy, Nicolas Altstaedt, José Gallardo | E♭ Major | 0 | 5B | 81 BPM | ||
Symphony No. 19 in E-Flat major, Op. 46 - IV. Poco maestoso – Vivo | Nikolai Myaskovsky, Evgeny Svetlanov, USSR Symphony Orchestra | F Minor | 1 | 4A | 85 BPM | ||
Lieder Ohne Worte, Fünftes Heft, Op. 62 (Arr. for Violin and Piano by Ferdinand David): I. Andante espressivo | Felix Mendelssohn, Michael Barenboim, Natalia Pegarkova-Barenboim | D Major | 1 | 10B | 143 BPM | ||
French Quadrilogy: No. 4, Toccata | Aivars Kalējs, Trio NYX | B♭ Major | 1 | 6B | 78 BPM | ||
Symphony No. 3 in D Minor, WAB 103 "Wagner" (1877 Version, Ed. L. Nowak): III. Scherzo. Ziemlich schnell | Anton Bruckner, ORF Vienna Radio Symphony Orchestra, Markus Poschner | G Major | 2 | 9B | 77 BPM | ||
Violin Concerto in D Minor, Op. 47: II. Adagio di molto | Jean Sibelius, Janine Jansen, Oslo Philharmonic Orchestra, Klaus Mäkelä | B♭ Major | 1 | 6B | 87 BPM |
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