Balazs Szokolay, Ignacy Jan Paderewski's 'Humoresques De Concert, Op. 14: Minuet In G Major, Op. 14, No. 1' came out on September 5, 1994. With this song being around four minutes long, at 3:33, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 22 in the song's album "The Maiden's Prayer - Leaves From Grandmother's Piano Album". In this album, this song's track order is #13. Humoresques De Concert, Op. 14: Minuet In G Major, Op. 14, No. 1 is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Humoresques De Concert, Op. 14: Minuet In G Major, Op. 14, No. 1 by Balazs Szokolay, Ignacy Jan Paderewski having a BPM of 63 with a half-time of 32 BPM and a double-time of 126 BPM, we would consider this track to have a Larghetto (rather broadly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
G Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
6 Preludes & Fugues by J.S. Bach, S. 462: No. 1, Prelude in A Minor (After BWV 543) | Franz Liszt, Khatia Buniatishvili | A Minor | 1 | 8A | 121 BPM | ||
Cello Concerto No. 1 in G Major: II. Romance: Andantino | Carl Stamitz, Christian Benda, Prague Chamber Orchestra | B♭ Major | 0 | 6B | 91 BPM | ||
Valse Fantaisie, Op.49 | Raoul Koczalski, Ingolf Wunder | B Minor | 0 | 10A | 66 BPM | ||
Monastery Bells | Louis James Alfred Lefébure-Wély, Balazs Szokolay | A♭ Major | 1 | 4B | 72 BPM | ||
Keyboard Sonatina In G Major, Op. 36, No. 5: I. Presto | Muzio Clementi, Balazs Szokolay | G Major | 2 | 9B | 106 BPM | ||
Bist du bei mir (Formerly Attrib. J.S. Bach as BWV 508, Transcr. for Oboe, Solo Violin, Strings and Basso continuo) | Gottfried Heinrich Stölzel, Albrecht Mayer, Gottfried Von Der Goltz, Berliner Barock Solisten | E♭ Major | 1 | 5B | 62 BPM | ||
Lyric Pieces, Book 7 : Drommesyn (Phantom), Op. 62, No. 5 | Edvard Grieg, Balazs Szokolay | A Major | 0 | 11B | 84 BPM | ||
3 Romances, Op. 11: 1. Andante | Clara Schumann, Isata Kanneh-Mason | E♭ Minor | 0 | 2A | 127 BPM | ||
Nocturne No. 1 in E-Flat Major | John Field, Benjamin Frith | E♭ Major | 0 | 5B | 73 BPM | ||
Allegro barbaro, BB 63 | Béla Bartók, Balazs Szokolay | E Minor | 2 | 9A | 86 BPM |
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