Pyotr Ilyich Tchaikovsky, Александр Ворошило, Mark Ermler, Оркестр Большого театра made "Иоланта, картина 6: Ария Роберта "Кто может сравниться с Матильдой моей?"" available on September 23, 2016. The duration of Иоланта, картина 6: Ария Роберта "Кто может сравниться с Матильдой моей?" is about two minutes long, specifically at 2:28. This song does not appear to have any foul language. Иоланта, картина 6: Ария Роберта "Кто может сравниться с Матильдой моей?"'s duration is considered a little bit shorter than the average duration of a typical track. There is only one song in Большой театр. Лучшее из архивов "Мелодии", so we believe that "Иоланта, картина 6: Ария Роберта "Кто может сравниться с Матильдой моей?"" is a single. Иоланта, картина 6: Ария Роберта "Кто может сравниться с Матильдой моей?" is not that popular right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
The tempo marking of Иоланта, картина 6: Ария Роберта "Кто может сравниться с Матильдой моей?" by Pyotr Ilyich Tchaikovsky, Александр Ворошило, Mark Ermler, Оркестр Большого театра is Andante (at a walking pace), since this song has a tempo of 77 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song has a musical key of F♯ Minor. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Lyric Pieces, Book 1, Op. 12: I. Arietta | Edvard Grieg, Javier Perianes | B♭ Major | 0 | 6B | 72 BPM | ||
Raymonda, Act III: Variation for male dancer | Alexander Glazunov, English National Ballet Philharmonic, Gavin Sutherland | A♭ Major | 0 | 4B | 61 BPM | ||
Carnival of the Animals, R. 125: Aquarium | Camille Saint-Saëns, Philippe Entremont, Gaby Casadesus, Yo-Yo Ma | A Minor | 0 | 8A | 81 BPM | ||
Cello Concerto in E Minor, Op. 85: I. Adagio - Moderato | Edward Elgar, Sheku Kanneh-Mason, London Symphony Orchestra, Sir Simon Rattle | E Minor | 1 | 9A | 102 BPM | ||
Piano Concerto No. 2 in F Major, Op. 102: II. Andante | Dmitri Shostakovich, Boris Giltburg, Royal Liverpool Philharmonic Orchestra, Vasily Petrenko | C Minor | 0 | 5A | 77 BPM | ||
13 Pieces, Op. 76: No. 2. Etude | Jean Sibelius, Olli Mustonen | G Major | 1 | 9B | 92 BPM | ||
Coppelia: Act I - Valse | Léo Delibes, Slovak Radio Symphony Orchestra, Andrew Mogrelia | E♭ Major | 0 | 5B | 89 BPM | ||
Suite pastorale: III. Sous-bois | Emmanuel Chabrier, Wiener Philharmoniker, John Eliot Gardiner | G Major | 0 | 9B | 0 BPM | ||
Symphonie fantastique, Op. 14, H. 48: II. Un bal: Allegro non troppo | Hector Berlioz, Slovak Radio Symphony Orchestra, Pinchas Steinberg | C Major | 1 | 8B | 118 BPM | ||
Raymonda, Act III: Variation 3 | Alexander Glazunov, English National Ballet Philharmonic, Gavin Sutherland | D Major | 0 | 10B | 73 BPM |
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