Elk Uur, Elk Ogenblik
Pieter Jan Leusink, Urker Mannen Ensemble, Chr. Brassband Pro Rege, Siemen Hoekstra
Abide With Me (Hymns & Gezangen)
3:02 May 1, 2011
BPM
72
Key
A Major
Camelot
11B

Embed

Share Link

Elk Uur, Elk Ogenblik - Pieter Jan Leusink, Urker Mannen Ensemble, Chr. Brassband Pro Rege, Siemen Hoekstra Information

Acousticness
99%
Danceability
25%
Energy
16%
Instrumentalness
1%
Liveness
12%
Loudness
64%
Speechiness
4%
Valence
7%
Popularity
Loudness
-21.421 dB

Summary

"Elk Uur, Elk Ogenblik" by Pieter Jan Leusink, Urker Mannen Ensemble, Chr. Brassband Pro Rege, Siemen Hoekstra was released on May 1, 2011. The duration of Elk Uur, Elk Ogenblik is about 3 minutes long, at 3:02. Based on our data, "Elk Uur, Elk Ogenblik" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 5 out of 15 in Abide With Me (Hymns & Gezangen) by Pieter Jan Leusink, Urker Mannen Ensemble, Chr. Brassband Pro Rege, Siemen Hoekstra. Going off of the ISRC code of this track, we detected that the origin of this track is from Netherlands. Elk Uur, Elk Ogenblik is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Elk Uur, Elk Ogenblik BPM

The tempo marking of Elk Uur, Elk Ogenblik by Pieter Jan Leusink, Urker Mannen Ensemble, Chr. Brassband Pro Rege, Siemen Hoekstra is Adagio (slowly with great expression), since this song has a tempo of 72 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.

Elk Uur, Elk Ogenblik Key

This song has a musical key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Vater unser im Himmelreich, Variation 10 by Johann Ulrich Steigleder, Gustav AuzingerVater unser im Himmelreich, Variation 10Johann Ulrich Steigleder, Gustav AuzingerD Major110B176 BPM
Er heißet Wunderbar, Rat, Kraft, Held, FR 408/1: IV. Choral (Tutti) by Johann Friedrich Fasch, Benjamin Schmolck, Berit Norbakken Solset, Marianne Beate Kielland, Anders J. Dahlin, Halvor Festervoll Melien, Alfredo Bernardini, BarokkanerneEr heißet Wunderbar, Rat, Kraft, Held, FR 408/1: IV. Choral (Tutti)Johann Friedrich Fasch, Benjamin Schmolck, Berit Norbakken Solset, Marianne Beate Kielland, Anders J. Dahlin, Halvor Festervoll Melien, Alfredo Bernardini, BarokkanerneF♯ Minor111A126 BPM
I. Es Ist Dir Gesagt, Mensch, Was Gut Ist BWV 45, Seconda Parte, Choral (Coro): Gib, Daß Ich Tu Mit Fleiß by Holland Boys Choir; Netherlands Bach Collegium, Peter Frankenberg, Sytse Buwalda, Frederique Chauvet, Bas Ramselaar, Ruth Holton, Johann Sebastian Bach, Knut Schoch, Marion Moonen, Ofer Frenkel, Pieter Jan LeusinkI. Es Ist Dir Gesagt, Mensch, Was Gut Ist BWV 45, Seconda Parte, Choral (Coro): Gib, Daß Ich Tu Mit FleißHolland Boys Choir; Netherlands Bach Collegium, Peter Frankenberg, Sytse Buwalda, Frederique Chauvet, Bas Ramselaar, Ruth Holton, Johann Sebastian Bach, Knut Schoch, Marion Moonen, Ofer Frenkel, Pieter Jan LeusinkE♭ Major25B75 BPM
Wer Dank opfert, der preiset mich, BWV 17: Part I: Wer Dank opfert, der preiset mich (Chorus) by Johann Sebastian Bach, Malin Hartelius, Robin Tyson, James Gilchrist, Peter Harvey, The Monteverdi Choir, English Baroque Soloists, John Eliot GardinerWer Dank opfert, der preiset mich, BWV 17: Part I: Wer Dank opfert, der preiset mich (Chorus)Johann Sebastian Bach, Malin Hartelius, Robin Tyson, James Gilchrist, Peter Harvey, The Monteverdi Choir, English Baroque Soloists, John Eliot GardinerB Minor110A75 BPM
Kyrie, R. 587: 2. Allegro: Christe eleison by Antonio Vivaldi, Kaia Urb, Anna Zander, Tallinn Chamber Orchestra, Estonian Philharmonic Chamber Choir, Tõnu KaljusteKyrie, R. 587: 2. Allegro: Christe eleisonAntonio Vivaldi, Kaia Urb, Anna Zander, Tallinn Chamber Orchestra, Estonian Philharmonic Chamber Choir, Tõnu KaljusteG Minor26A103 BPM
Missa in D-Dur, KV194: Kyrie by Chor und Orchester von St. Augustin, Alexander Kaimbacher, Klemens Sander, Cornelia Horak, Martina Steffl, Andreas PixnerMissa in D-Dur, KV194: KyrieChor und Orchester von St. Augustin, Alexander Kaimbacher, Klemens Sander, Cornelia Horak, Martina Steffl, Andreas PixnerD Major210B91 BPM
Der Tod Jesu, Pt. 1: Chorus: Du, dessen Augen flossen (Chorus) by Carl Heinrich Graun, Arcis-Vocalisten, L'arpa Festante, Thomas GropperDer Tod Jesu, Pt. 1: Chorus: Du, dessen Augen flossen (Chorus)Carl Heinrich Graun, Arcis-Vocalisten, L'arpa Festante, Thomas GropperB Minor110A164 BPM
Wachet auf, ruft uns die Stimme, BWV 140: III. Aria. Wann kömmst du, mein Heil? (Soprano, Basso) by Johann Sebastian Bach, Ruth Holton, Bas Ramselaar, Holland Boys Choir, Netherlands Bach Collegium, Pieter Jan LeusinkWachet auf, ruft uns die Stimme, BWV 140: III. Aria. Wann kömmst du, mein Heil? (Soprano, Basso)Johann Sebastian Bach, Ruth Holton, Bas Ramselaar, Holland Boys Choir, Netherlands Bach Collegium, Pieter Jan LeusinkB Minor010A88 BPM
Dixit Dominus, ZWV 66: Sicut erat in principio - After Psalm 109 by Jan Dismas Zelenka, Adam Viktora, Inégal Ensemble, Prague Baroque SolistsDixit Dominus, ZWV 66: Sicut erat in principio - After Psalm 109Jan Dismas Zelenka, Adam Viktora, Inégal Ensemble, Prague Baroque SolistsA♭ Major24B61 BPM
Organ Voluntary in D Major, Op. 6 No. 6: I. Adagio by John Stanley, Richard MarlowOrgan Voluntary in D Major, Op. 6 No. 6: I. AdagioJohn Stanley, Richard MarlowD Major010B63 BPM
ISRC
NLD681302261
Label
L-M Records/RCA Records

Section: 0.7742428779602051

End: 0.7783699035644531