"Elk Uur, Elk Ogenblik" by Pieter Jan Leusink, Urker Mannen Ensemble, Chr. Brassband Pro Rege, Siemen Hoekstra was released on May 1, 2011. The duration of Elk Uur, Elk Ogenblik is about 3 minutes long, at 3:02. Based on our data, "Elk Uur, Elk Ogenblik" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 5 out of 15 in Abide With Me (Hymns & Gezangen) by Pieter Jan Leusink, Urker Mannen Ensemble, Chr. Brassband Pro Rege, Siemen Hoekstra. Going off of the ISRC code of this track, we detected that the origin of this track is from Netherlands. Elk Uur, Elk Ogenblik is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Elk Uur, Elk Ogenblik by Pieter Jan Leusink, Urker Mannen Ensemble, Chr. Brassband Pro Rege, Siemen Hoekstra is Adagio (slowly with great expression), since this song has a tempo of 72 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song has a musical key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Vater unser im Himmelreich, Variation 10 | Johann Ulrich Steigleder, Gustav Auzinger | D Major | 1 | 10B | 176 BPM | ||
Er heißet Wunderbar, Rat, Kraft, Held, FR 408/1: IV. Choral (Tutti) | Johann Friedrich Fasch, Benjamin Schmolck, Berit Norbakken Solset, Marianne Beate Kielland, Anders J. Dahlin, Halvor Festervoll Melien, Alfredo Bernardini, Barokkanerne | F♯ Minor | 1 | 11A | 126 BPM | ||
I. Es Ist Dir Gesagt, Mensch, Was Gut Ist BWV 45, Seconda Parte, Choral (Coro): Gib, Daß Ich Tu Mit Fleiß | Holland Boys Choir; Netherlands Bach Collegium, Peter Frankenberg, Sytse Buwalda, Frederique Chauvet, Bas Ramselaar, Ruth Holton, Johann Sebastian Bach, Knut Schoch, Marion Moonen, Ofer Frenkel, Pieter Jan Leusink | E♭ Major | 2 | 5B | 75 BPM | ||
Wer Dank opfert, der preiset mich, BWV 17: Part I: Wer Dank opfert, der preiset mich (Chorus) | Johann Sebastian Bach, Malin Hartelius, Robin Tyson, James Gilchrist, Peter Harvey, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner | B Minor | 1 | 10A | 75 BPM | ||
Kyrie, R. 587: 2. Allegro: Christe eleison | Antonio Vivaldi, Kaia Urb, Anna Zander, Tallinn Chamber Orchestra, Estonian Philharmonic Chamber Choir, Tõnu Kaljuste | G Minor | 2 | 6A | 103 BPM | ||
Missa in D-Dur, KV194: Kyrie | Chor und Orchester von St. Augustin, Alexander Kaimbacher, Klemens Sander, Cornelia Horak, Martina Steffl, Andreas Pixner | D Major | 2 | 10B | 91 BPM | ||
Der Tod Jesu, Pt. 1: Chorus: Du, dessen Augen flossen (Chorus) | Carl Heinrich Graun, Arcis-Vocalisten, L'arpa Festante, Thomas Gropper | B Minor | 1 | 10A | 164 BPM | ||
Wachet auf, ruft uns die Stimme, BWV 140: III. Aria. Wann kömmst du, mein Heil? (Soprano, Basso) | Johann Sebastian Bach, Ruth Holton, Bas Ramselaar, Holland Boys Choir, Netherlands Bach Collegium, Pieter Jan Leusink | B Minor | 0 | 10A | 88 BPM | ||
Dixit Dominus, ZWV 66: Sicut erat in principio - After Psalm 109 | Jan Dismas Zelenka, Adam Viktora, Inégal Ensemble, Prague Baroque Solists | A♭ Major | 2 | 4B | 61 BPM | ||
Organ Voluntary in D Major, Op. 6 No. 6: I. Adagio | John Stanley, Richard Marlow | D Major | 0 | 10B | 63 BPM |
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