- BPM
- 96
- Key
- G Major
- Camelot
- 9B
Goldberg Variations, BWV 988: Variatio 20 a 2 Clav. - Live at Thomaskirche Leipzig / 2020 - Johann Sebastian Bach, Lang Lang Information
- Acousticness
- 99%
- Danceability
- 29%
- Energy
- 19%
- Instrumentalness
- 92%
- Liveness
- 15%
- Loudness
- 68%
- Speechiness
- 3%
- Valence
- 81%
- Popularity
- 0%
- Loudness
- -19.334 dB
Summary
On October 12, 2021, the song "Goldberg Variations, BWV 988: Variatio 20 a 2 Clav. - Live at Thomaskirche Leipzig / 2020" was released by Johann Sebastian Bach, Lang Lang. The duration of Goldberg Variations, BWV 988: Variatio 20 a 2 Clav. - Live at Thomaskirche Leipzig / 2020 is about two minutes long, specifically at 2:01. This song does not appear to have any foul language. Goldberg Variations, BWV 988: Variatio 20 a 2 Clav. - Live at Thomaskirche Leipzig / 2020's duration is considered a little bit shorter than the average duration of a typical track. The song is number 349 out of 450 in Classics for Autumn: Bach by Johann Sebastian Bach, Various Artists. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. In terms of popularity, Goldberg Variations, BWV 988: Variatio 20 a 2 Clav. - Live at Thomaskirche Leipzig / 2020 is currently unknown. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
Goldberg Variations, BWV 988: Variatio 20 a 2 Clav. - Live at Thomaskirche Leipzig / 2020 BPM
The tempo marking of Goldberg Variations, BWV 988: Variatio 20 a 2 Clav. - Live at Thomaskirche Leipzig / 2020 by Johann Sebastian Bach, Lang Lang is Andante (at a walking pace), since this song has a tempo of 96 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
Goldberg Variations, BWV 988: Variatio 20 a 2 Clav. - Live at Thomaskirche Leipzig / 2020 Key
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Matthäus-Passion, BWV 244, Pt. 1: No. 5, Recitative. "Du lieber Heiland du" (Alto) | Johann Sebastian Bach, Annelies Burmeister, Gewandhausorchester, Rudolf Mauersberger, Erhard Mauersberger | E Minor | 1 | 9A | 82 BPM | |
![Concerto for 2 Harpsichords, Strings & Continuo in C Major, BWV 1061: 1. [No Tempo Indication] (performed on two pianos) by Johann Sebastian Bach, Lucas Jussen, Arthur Jussen, Amsterdam Sinfonietta, Candida Thompson](https://i.scdn.co/image/ab67616d00001e025ee40dc5470c9a97095be13d) | Concerto for 2 Harpsichords, Strings & Continuo in C Major, BWV 1061: 1. [No Tempo Indication] (performed on two pianos) | Johann Sebastian Bach, Lucas Jussen, Arthur Jussen, Amsterdam Sinfonietta, Candida Thompson | C Major | 2 | 8B | 91 BPM | |
 | 12 Romances, Op. 21: No. 7, How Fair This Spot (Arr. Sheku Kanneh-Mason for Cello and Piano) | Sergei Rachmaninoff, Sheku Kanneh-Mason, Isata Kanneh-Mason | A Major | 1 | 11B | 89 BPM | |
 | Languet anima mea BWV deest 1006: IV. Aria: Tu lumen mentis es | Francesco Bartolomeo Conti, Johann Sebastian Bach, Bach Collegium Japan, Masaaki Suzuki, Hana Blaziková | E♭ Minor | 2 | 2A | 74 BPM | |
 | Lo frate 'nnamorato: II. Andante | Giovanni Battista Pergolesi, Orchestra da Camera di Napoli, Enzo Amato | E Minor | 5 | 9A | 165 BPM | |
 | Bach, JS: Piano Concerto No. 1 in D Minor, BWV 1052: I. Allegro | Johann Sebastian Bach, Andrei Gavrilov, Sir Neville Marriner, Academy of St. Martin in the Fields | F♯ Minor | 0 | 11A | 102 BPM | |
 | Bach, JS: Concerto for Two Violins in D Minor, BWV 1043: II. Largo ma non tanto | Johann Sebastian Bach, Anne-Sophie Mutter, Leslie Pearson, Salvatore Accardo, English Chamber Orchestra | A Minor | 3 | 8A | 118 BPM | |
 | Symphony in F Major, J-C 36: III. Allegro assai | Giovanni Battista Sammartini, Aradia Ensemble, Kevin Mallon | E Major | 3 | 12B | 126 BPM | |
 | Concerto for 2 Violins in D Minor, BWV 1043: III. Allegro | Johann Sebastian Bach, Zubin Mehta, New York Philharmonic, Isaac Stern, Itzhak Perlman | D Minor | 4 | 7A | 96 BPM | |
 | Come, Sweet Death (Arr. for 5 Cellos) | Johann Sebastian Bach, Sheku Kanneh-Mason, Hannah Roberts, Ben Davies, Desmond Neysmith, Max Ruisi | C Minor | 1 | 5A | 88 BPM |
- ISRC
- DEN962030221
- Label
- L-M Records/RCA Records
Section: 0.7228622436523438
End: 0.7271544933319092