- BPM
- 125
- Key
- G Major
- Camelot
- 9B
Road to the Isles - Richard Morrison Information
- Acousticness
- 98%
- Danceability
- 54%
- Energy
- 27%
- Instrumentalness
- 1%
- Liveness
- 11%
- Loudness
- 73%
- Speechiness
- 9%
- Valence
- 57%
- Popularity
- 0%
- Loudness
- -16.3 dB
Summary
Richard Morrison made "Road to the Isles" available on April 30, 2018. The duration of Road to the Isles is about two minutes long, specifically at 2:37. This song does not appear to have any foul language. Road to the Isles's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Richard Morrison's "Isle of Arran" album is number 5 out of 14. Based on our statistics, Road to the Isles's popularity is unknown right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
Road to the Isles BPM
We consider the tempo marking of Road to the Isles by Richard Morrison to be Allegro (fast, quick, and bright) because the track has a tempo of 125 BPM, a half-time of 62BPM, and a double-time of 250 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
Road to the Isles Key
This song has a musical key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Puccini : Il Trittico, 'Suor Angelica' : "Senza mamma" [Forzano] | Giacomo Puccini, Cristina Gallardo-Domas, Maurizio Barbacini, Munich Radio Orchestra | A Minor | 1 | 8A | 93 BPM | |
 | Die Meistersinger von Nürnberg, WWV 96: Wacht auf, es nahet gen den Tag (Excerpt) | Richard Wagner, Royal Opera Chorus, Bernard Haitink, Orchestra of the Royal Opera House, Covent Garden | A♭ Major | 1 | 4B | 64 BPM | |
 | Strauss II, J: La chauve-souris, Act 1: Duetto. "Viens souper avec nous" (Gaillardin, Duparquet) | Johann Strauss II, Franck Pourcel, Jean Christophe Benoit, Pierre Fleta, Orchestre De La Société Des Concerts Du Conservatoire | D Major | 2 | 10B | 127 BPM | |
 | The Dream of Gerontius, Op. 38, Pt. 1: Sanctus fortis, Sanctus Deus | Edward Elgar, Gabrieli, Paul McCreesh, Nicky Spence | D Major | 0 | 10B | 85 BPM | |
 | Gurre-Lieder / Part 1: 3. "O, wenn des Mondes Strahlen" | Arnold Schoenberg, Jessye Norman, Boston Symphony Orchestra, Seiji Ozawa | D♭ Major | 1 | 3B | 86 BPM | |
 | Humperdinck : Hänsel und Gretel : Act 3 "Wo bin ich? Wach' ich?" [Gretel, Hänsel] | Engelbert Humperdinck, Donald Runnicles, Bavarian Radio Symphony Orchestra | E♭ Major | 0 | 5B | 91 BPM | |
 | Estancia, Op. 8: Scene 1, El Amanecer - Introducción y escena | Alberto Ginastera, Los Angeles Philharmonic, Gustavo Dudamel, Gustavo Castillo | A Minor | 2 | 8A | 70 BPM | |
 | Die Fledermaus: Act II: Finale: Im Feuerstrom der Reben (Chorus) | Johann Strauss II, Cologne West German Radio Chorus, Cologne West German Radio Orchestra, Friedrich Haider | D Major | 4 | 10B | 74 BPM | |
 | Les Roses D'Ispahan Op.39 N°4 (Leconte De Lisle) | Gabriel Fauré, Frederica von Stade | D Major | 1 | 10B | 108 BPM | |
 | Requiem, Op. 9: V. Pie Jesu | Maurice Duruflé, Robert Shaw, Atlanta Symphony Orchestra | B♭ Major | 2 | 6B | 130 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 0.7046985626220703
End: 0.7084910869598389