After Midnite, After It's All Gone Wrong - Radio Sessions 1996-2011
Comet Gain
Radio Sessions (BBC 1996-2011)
6:10 February 16, 2024
BPM
156
Key
E Minor
Camelot
9A

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After Midnite, After It's All Gone Wrong - Radio Sessions 1996-2011 - Comet Gain Information

Acousticness
0%
Danceability
26%
Energy
87%
Instrumentalness
47%
Liveness
40%
Loudness
85%
Speechiness
3%
Valence
47%
Popularity
Loudness
-8.716 dB

Summary

Comet Gain made "After Midnite, After It's All Gone Wrong - Radio Sessions 1996-2011" available on February 16, 2024. After Midnite, After It's All Gone Wrong - Radio Sessions 1996-2011 is about six minutes long, preciously at 6:10, making this song fairly long compared to other songs. There are a total of 15 in the song's album "Radio Sessions (BBC 1996-2011)". In this album, this song's track order is #14. Furthermore, we believe that the track originated from United Kingdom. Based on our statistics, After Midnite, After It's All Gone Wrong - Radio Sessions 1996-2011's popularity is unknown right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.

After Midnite, After It's All Gone Wrong - Radio Sessions 1996-2011 BPM

With After Midnite, After It's All Gone Wrong - Radio Sessions 1996-2011 by Comet Gain having a BPM of 156 with a half-time of 78 BPM and a double-time of 312 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with running. The time signature for this track is 4/4.

After Midnite, After It's All Gone Wrong - Radio Sessions 1996-2011 Key

E Minor is the music key of this track. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.

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ISRC
GBCAD2300134
Label
L-M Records/RCA Records

Section: 0.5975005626678467

End: 0.6007604598999023