"Humoresque, Op. 10, No. 2 in G Major (Based on a French Popular Song) - Duo-Art D661" by Pyotr Ilyich Tchaikovsky, Rudolph Reuter, Peter Phillips was released on March 5, 2024. The duration of Humoresque, Op. 10, No. 2 in G Major (Based on a French Popular Song) - Duo-Art D661 is about two minutes long, specifically at 2:40. This song does not appear to have any foul language. Humoresque, Op. 10, No. 2 in G Major (Based on a French Popular Song) - Duo-Art D661's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Peter Phillips, Johann Strauss II, Bedřich Smetana, Cyril Scott, Léo Delibes, Enrique Granados, Camille Saint-Saëns, Pyotr Ilyich Tchaikovsky's "Kunstlerleben. Piano Music from the Golden Age" album is number 13 out of 22. On top of that, Germany appears to be the country where this track was created. Humoresque, Op. 10, No. 2 in G Major (Based on a French Popular Song) - Duo-Art D661 is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Humoresque, Op. 10, No. 2 in G Major (Based on a French Popular Song) - Duo-Art D661 by Pyotr Ilyich Tchaikovsky, Rudolph Reuter, Peter Phillips to be Adagio (slowly with great expression) because the track has a tempo of 67 BPM, a half-time of 34BPM, and a double-time of 134 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song has a musical key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
6 Impromptus, Op. 5: IV. Impromptu in E Minor | Jean Sibelius, Carmen Stefanescu | E Minor | 1 | 9A | 103 BPM | ||
Inca Nocturne No. 5 - Duo-Art 6191 | Carlos Valderrama, Peter Phillips | E Major | 1 | 12B | 85 BPM | ||
Theme & Variations in F Major | Louise Farrenc, Maria Stratigou | E♭ Major | 3 | 5B | 85 BPM | ||
Zigeunerweisen - Welte-Mignon 814 | Pablo de Sarasate, Peter Phillips, Berthe Marx-Goldschmidt | F Major | 2 | 7B | 49 BPM | ||
Nocturne No. 2 in C Minor, H 25 | John Field, Tyler Hay | E♭ Major | 0 | 5B | 73 BPM | ||
Symphony in D Major, Bryan D2: IV. Allegro | Johann Baptist Vanhal, Toronto Chamber Orchestra, Kevin Mallon | D Major | 1 | 10B | 126 BPM | ||
Passacaglia in C Minor, BWV 582 (Arr. For Piano by Eugen D'albert) - Welte-Mignon 2964 | Johann Sebastian Bach, Peter Phillips, Eugen d'Albert | C Minor | 2 | 5A | 97 BPM | ||
Moods, Impressions & Souvenirs, Op. 41, Book 1: No. 44 in B-Flat Major: Andante | Zdeněk Fibich, William Howard | B♭ Major | 0 | 6B | 66 BPM | ||
Cradle Song (Berceuse / Wiegenlied) Op. 45, in G-Flat Major - Duo-Art 5740 | Adolph von Henselt, Peter Phillips, Leopold Godowsky | D Minor | 0 | 7A | 130 BPM | ||
Lieder ohne Worte, Op. 38: No. 2 in C Minor. Allegro non troppo, MWV U 115 | Felix Mendelssohn, Igor Levit | A♭ Major | 0 | 4B | 67 BPM |
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