"Günther von Schwarzburg, Act I: Wie? Nennt er Karlen nicht seiner Tochter Bräutigam?" by Ignaz Holzbauer, Clarry Bartha, La Stagione, Michael Schneider was released on January 1, 1994. The duration of Günther von Schwarzburg, Act I: Wie? Nennt er Karlen nicht seiner Tochter Bräutigam? is about two minutes long, specifically at 2:10. This song does not appear to have any foul language. Günther von Schwarzburg, Act I: Wie? Nennt er Karlen nicht seiner Tochter Bräutigam?'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Ignaz Holzbauer, La Stagione, Michael Schneider, Claron McFadden, Christoph Prégardien's "Holzbauer: Günther von Schwarzburg" album is number 8 out of 47. On top of that, Germany appears to be the country where this track was created. The popularity of Günther von Schwarzburg, Act I: Wie? Nennt er Karlen nicht seiner Tochter Bräutigam? is currently unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Günther von Schwarzburg, Act I: Wie? Nennt er Karlen nicht seiner Tochter Bräutigam? by Ignaz Holzbauer, Clarry Bartha, La Stagione, Michael Schneider to be Vivace (lively and fast) because the track has a tempo of 170 BPM, a half-time of 85BPM, and a double-time of 340 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 4/4.
This song is in the music key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Telemann: Tafelmusik, Pt. 3: Ouverture-Suite in B-Flat Major, TWV 55:B1: V. Flaterie | Georg Philipp Telemann, Amsterdam Baroque Orchestra, Ton Koopman, Ku Ebbinge, Michel Henry, Monica Huggett, Alison Bury | F♯ Major | 1 | 2B | 73 BPM | ||
Sonate für Trompete Nr. 4 D-Dur: II. Largo | Domenico Gabrielli, Ede Inhoff, Hungarian State Opera Chamber Orchestra | D Major | 1 | 10B | 96 BPM | ||
Spängler-Menuett X | Leopold Mozart, Bankhaus Spängler | F Major | 1 | 7B | 131 BPM | ||
Trio Sonata No. 5 in D Major, Op. 2, Trio Sonata No. 1 in E Minor: I. Adagio | Jean-Joseph Cassanéa De Mondonville, Ensemble Diderot, Johannes Pramsohler | C Major | 1 | 8B | 97 BPM | ||
Sonata sesta in G Major: II. Con Spirito ma non presto | Mrs Philarmonica, Le Consort | F♯ Major | 3 | 2B | 70 BPM | ||
Sinphonia No. 6 for Strings & Continuo in E-Flat Major, Op. 1.12: I. Allegro | Giuseppe Antonio Brescianello, La Serenissima, Adrian Chandler | E♭ Major | 2 | 5B | 105 BPM | ||
Spängler-Menuett VI | Leopold Mozart, Bankhaus Spängler | G Major | 1 | 9B | 138 BPM | ||
Concerto Armonico No. 2 in B-Flat Major: Allegro moderato | Unico Wilhelm van Wassenaer, Aradia Ensemble, Kevin Mallon | E Major | 4 | 12B | 106 BPM | ||
Violin Sonata in C Major, Op. 5 No. 3: V. Allegro (Version for Flute) | Arcangelo Corelli, Anna Besson, Myriam Rignol, Jean Rondeau | A♭ Major | 1 | 4B | 105 BPM | ||
Golovinmusiken, BeRI 1: No. 8, Presto | Johan Helmich Roman, Höör Barock, Dan Laurin | A♭ Major | 2 | 4B | 143 BPM |
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