Symphony No. 7 in C Major, Op. 60 "Leningrad" (Rehearsal Excerpts): II. Moderato [Warum habe ich aufgehört]
Dmitri Shostakovich, Mariss Jansons, Bavarian Radio Symphony Orchestra
Shostakovich: Symphony No. 7 in C Major, Op. 60 "Leningrad" (Rehearsal Excerpts)
4:17 April 1, 2022
BPM
124
Key
C Major
Camelot
8B

Embed

Share Link

Symphony No. 7 in C Major, Op. 60 "Leningrad" (Rehearsal Excerpts): II. Moderato [Warum habe ich aufgehört] - Dmitri Shostakovich, Mariss Jansons, Bavarian Radio Symphony Orchestra Information

Acousticness
73%
Danceability
38%
Energy
14%
Instrumentalness
0%
Liveness
49%
Loudness
74%
Speechiness
8%
Valence
11%
Popularity
Loudness
-15.39 dB

Summary

"Symphony No. 7 in C Major, Op. 60 "Leningrad" (Rehearsal Excerpts): II. Moderato [Warum habe ich aufgehört]" by Dmitri Shostakovich, Mariss Jansons, Bavarian Radio Symphony Orchestra was released on April 1, 2022. With this song being around four minutes long, at 4:17, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 20 in the song's album "Shostakovich: Symphony No. 7 in C Major, Op. 60 "Leningrad" (Rehearsal Excerpts)". In this album, this song's track order is #15. Furthermore, we believe that the track originated from Germany. Based on our statistics, Symphony No. 7 in C Major, Op. 60 "Leningrad" (Rehearsal Excerpts): II. Moderato [Warum habe ich aufgehört]'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Symphony No. 7 in C Major, Op. 60 "Leningrad" (Rehearsal Excerpts): II. Moderato [Warum habe ich aufgehört] BPM

With Symphony No. 7 in C Major, Op. 60 "Leningrad" (Rehearsal Excerpts): II. Moderato [Warum habe ich aufgehört] by Dmitri Shostakovich, Mariss Jansons, Bavarian Radio Symphony Orchestra having a BPM of 124 with a half-time of 62 BPM and a double-time of 248 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.

Symphony No. 7 in C Major, Op. 60 "Leningrad" (Rehearsal Excerpts): II. Moderato [Warum habe ich aufgehört] Key

C Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Consolation No. 3 in D-Flat Major, S. 172/3 by Franz Liszt, Vladimir HorowitzConsolation No. 3 in D-Flat Major, S. 172/3Franz Liszt, Vladimir HorowitzD♭ Major03B70 BPM
Romeo and Juliet, Op. 64 / Act 1: Dance Of The Knights by Sergei Prokofiev, Cleveland Orchestra, Lorin MaazelRomeo and Juliet, Op. 64 / Act 1: Dance Of The KnightsSergei Prokofiev, Cleveland Orchestra, Lorin MaazelC Major18B79 BPM
Kinderszenen, Op.15: 1. Von fremden Ländern und Menschen by Robert Schumann, Martha ArgerichKinderszenen, Op.15: 1. Von fremden Ländern und MenschenRobert Schumann, Martha ArgerichG Major09B128 BPM
Serenade in B-Flat Major, K. 361 Serenade in B-Flat Major, K. 361 "Gran Partita": III. AdagioWolfgang Amadeus Mozart, Orpheus Chamber OrchestraE♭ Major05B68 BPM
Quintette en sol mineur avec piano, Op. 57: Scherzo by Dmitri Shostakovich, Quatuor Debussy, Christophe Collette, Anne Ménier, Vincent Deprecq, Yannick Callier, Claire-Marie Le GuayQuintette en sol mineur avec piano, Op. 57: ScherzoDmitri Shostakovich, Quatuor Debussy, Christophe Collette, Anne Ménier, Vincent Deprecq, Yannick Callier, Claire-Marie Le GuayG Major09B80 BPM
Symphony No. 40 in G Minor, K. 550: I. Allegro molto by Wolfgang Amadeus Mozart, Capella Istropolitana, Barry WordsworthSymphony No. 40 in G Minor, K. 550: I. Allegro moltoWolfgang Amadeus Mozart, Capella Istropolitana, Barry WordsworthG Minor26A109 BPM
Symphony No. 25 in G minor, K.183: 1. Allegro con brio by Wolfgang Amadeus Mozart, Academy of St. Martin in the Fields, Sir Neville MarrinerSymphony No. 25 in G minor, K.183: 1. Allegro con brioWolfgang Amadeus Mozart, Academy of St. Martin in the Fields, Sir Neville MarrinerG Minor26A80 BPM
Prélude à l'après-midi d'un faune, L.86 by Claude Debussy, Timothy Hutchins, Orchestre Symphonique de Montréal, Charles DutoitPrélude à l'après-midi d'un faune, L.86Claude Debussy, Timothy Hutchins, Orchestre Symphonique de Montréal, Charles DutoitA♭ Minor01A90 BPM
Piano Sonata No. 14 in C-Sharp Minor, Op. 27 No. 2 - Piano Sonata No. 14 in C-Sharp Minor, Op. 27 No. 2 - "Moonlight": III. Presto agitatoLudwig van Beethoven, Daniel BarenboimF♯ Minor111A157 BPM
Symphony No. 8 in G Major, Op. 88, B. 163: III. Allegretto grazioso - Molto vivace by Antonín Dvořák, Los Angeles Philharmonic, Gustavo DudamelSymphony No. 8 in G Major, Op. 88, B. 163: III. Allegretto grazioso - Molto vivaceAntonín Dvořák, Los Angeles Philharmonic, Gustavo DudamelC Major18B127 BPM
ISRC
DELW72281215
Label
L-M Records/RCA Records

Section: 0.6594960689544678

End: 0.6640090942382812