"Variations on a Rococo Theme, Op. 33 for cello and orchestra: Var. III: Andante sostenuto" by Pyotr Ilyich Tchaikovsky, Jean-Guihen Queyras, Jiří Bělohlávek, BBC Symphony Orchestra was released on September 23, 2013. With this song being around four minutes long, at 3:46, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 10 out of 14 in Elgar: Cello Concerto, Op. 85 - Tchaikovsky: Variations on a Rococo Theme Op. 33 by Jean-Guihen Queyras, BBC Symphony Orchestra, Jiří Bělohlávek. Variations on a Rococo Theme, Op. 33 for cello and orchestra: Var. III: Andante sostenuto is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Variations on a Rococo Theme, Op. 33 for cello and orchestra: Var. III: Andante sostenuto by Pyotr Ilyich Tchaikovsky, Jean-Guihen Queyras, Jiří Bělohlávek, BBC Symphony Orchestra is Lento (slowly), since this song has a tempo of 60 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song has a musical key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Cello Concerto No.1, Op.107: 3. Cadenza | Dmitri Shostakovich, Heinrich Schiff, Bavarian Radio Symphony Orchestra, Maxim Shostakovich | F Major | 0 | 7B | 85 BPM | ||
Symphonie Espagnole In D Minor, Op. 21: 2. Scherzando (Allegro molto) | Édouard Lalo, Itzhak Perlman, Orchestre de Paris, Daniel Barenboim | G Major | 1 | 9B | 105 BPM | ||
12 Etudes d'exécution transcendante, S.139: No.3 Paysage (Poco adagio) | Franz Liszt, Daniil Trifonov | F Major | 0 | 7B | 67 BPM | ||
Bruch: Violin Concerto No. 3 in D Minor, Op. 58: II. Adagio | Max Bruch, Chloë Hanslip, Martyn Brabbins, London Symphony Orchestra | F Major | 1 | 7B | 144 BPM | ||
Piano Concerto No. 5 in F Major, Op. 103 "Egyptian": Piano Concerto No. 5 in F Major, Op. 103 "Egyptian": I. Allegro animato | Camille Saint-Saëns, Louis Schwizgebel, BBC Symphony Orchestra, Martyn Brabbins | F Major | 1 | 7B | 87 BPM | ||
Symphony No. 4: II. In gemächlicher Bewegung. Ohne Hast | Gustav Mahler, Berliner Philharmoniker, Yannick Nézet-Séguin | C Major | 0 | 8B | 135 BPM | ||
Concerto for Violin and Orchestra no.1 in F sharp minor op.14: 2. Preghiera. Larghetto | Henryk Wieniawski, Gil Shaham, London Symphony Orchestra, Lawrence Foster | A Major | 0 | 11B | 60 BPM | ||
Piano Concerto in E-Flat Major: II. Lento espressivo | John Ireland, Bryden Thomson, London Philharmonic Orchestra, Eric Parkin | B Major | 0 | 1B | 71 BPM | ||
Piano Concerto in A Minor, Op. 54: Piano Concerto in A Minor, Op. 54: II. Intermezzo. Andantino grazioso | Robert Schumann, Alexander Melnikov, Freiburger Barockorchester, Pablo Heras-Casado | G Minor | 0 | 6A | 79 BPM | ||
Sonatina No. 1, Op. 67: II. Largo | Jean Sibelius, Leif Ove Andsnes | F♯ Minor | 0 | 11A | 112 BPM |
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