Richard Lambert, Philip Rushforth, Chester Concordia Brass Ensemble's 'The Festal Trumpet Sounds: No. 2, Thornbury Elaboration' came out on April 5, 2024. With The Festal Trumpet Sounds: No. 2, Thornbury Elaboration being less than two minutes long, at 1:34, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 28 in the song's album "Richard Lambert: Music for Brass & Organ". In this album, this song's track order is #12. Furthermore, we believe that the track originated from United Kingdom. Based on our statistics, The Festal Trumpet Sounds: No. 2, Thornbury Elaboration's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With The Festal Trumpet Sounds: No. 2, Thornbury Elaboration by Richard Lambert, Philip Rushforth, Chester Concordia Brass Ensemble having a BPM of 135 with a half-time of 68 BPM and a double-time of 270 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sylvia, Act III: No. 20, Variation Dansée. Pizzicati (Arranged for Organ by Frank Kaman) | Frank Kaman | D Major | 5 | 10B | 156 BPM | ||
Jerusalem | The Choir Of Trinity College, Cambridge | E♭ Major | 4 | 5B | 173 BPM | ||
Makeasti oravainen | SRK Instrumentaali, Mikael Säily, Tuomas Holma, Lauri-Kalle Kallunki | B♭ Major | 1 | 6B | 64 BPM | ||
Claire | Miguel Sagrero, Claireiveth | A♭ Major | 0 | 4B | 112 BPM | ||
Wat de toekomst brengen mogen | Ronald Knol, Harold Kooij | G Minor | 2 | 6A | 164 BPM | ||
Partita over folketonen 'Hvor er det godt å lande', Op. 36 (1971): VI. Koral | Johan Kvandal, Arnfinn Tobiassen | E Major | 2 | 12B | 122 BPM | ||
Hold Fast Till I Come | Derek Fiechter, Brandon Fiechter | B♭ Major | 1 | 6B | 81 BPM | ||
Te Deum - fluit kwartet | Martin Malto, Marc-Antoine Charpentier, Klassieke Muziek | D Major | 2 | 10B | 75 BPM | ||
Near The Dog | Marie Glacier | A Major | 1 | 11B | 56 BPM | ||
Blessed Assurance | Ronald Knol, Harold Kooij | A♭ Major | 2 | 4B | 127 BPM |
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