Franz Joseph Haydn, Sir Colin Davis, Dietrich Henschel, London Symphony Orchestra made "The Creation, Hob.XXI:2, Part II, No. 22: Gleich Offnet Sich Der Erde Schoss" available on June 9, 2009. The duration of The Creation, Hob.XXI:2, Part II, No. 22: Gleich Offnet Sich Der Erde Schoss is about 3 minutes long, at 3:25. Based on our data, "The Creation, Hob.XXI:2, Part II, No. 22: Gleich Offnet Sich Der Erde Schoss" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Franz Joseph Haydn, Dietrich Henschel, London Symphony Orchestra, Sir Colin Davis's "Haydn: The Creation (Die Schöpfung)" album is number 8 out of 35. On top of that, United Kingdom appears to be the country where this track was created. In terms of popularity, The Creation, Hob.XXI:2, Part II, No. 22: Gleich Offnet Sich Der Erde Schoss is currently unknown. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of The Creation, Hob.XXI:2, Part II, No. 22: Gleich Offnet Sich Der Erde Schoss by Franz Joseph Haydn, Sir Colin Davis, Dietrich Henschel, London Symphony Orchestra to be Moderato (at a moderate speed) because the track has a tempo of 113 BPM, a half-time of 56BPM, and a double-time of 226 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 4/4.
B♭ Major is the music key of this track. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
String Quintet in D Major, Op. 39, No. 3, G. 339: I. Allegro vivo | Luigi Boccherini, Quintetto Boccherini | D Major | 2 | 10B | 140 BPM | ||
Sinfonia in A Major: I. Presto | Giovanni Battista Sammartini, Capella Istropolitana, Jaroslav Krcek | A Major | 3 | 11B | 117 BPM | ||
Keyboard Sonata No. 53 in E Minor, Hob.XVI:34: III. Vivace molto | Joseph Haydn, Jenő Jandó | E Major | 1 | 12B | 131 BPM | ||
Symphony No. 3 in F Major, Op. 90: 4. Allegro | Johannes Brahms, Berliner Philharmoniker, Claudio Abbado | C Major | 1 | 8B | 79 BPM | ||
Le Tic-Toc-Choc, ou Les Maillotins: 18ème ordre, 3ème livre | François Couperin, Iddo Bar-Shaï | C Major | 3 | 8B | 145 BPM | ||
Mendelssohn: Violin Concerto No. 2 in E Minor, Op. 64: II. Andante | Felix Mendelssohn, Maxim Vengerov, Kurt Masur, Gewandhausorchester Leipzig | C Major | 1 | 8B | 96 BPM | ||
Cypresses B.152: 2. Allegro ma non troppo | Antonín Dvořák, Hagen Quartett | F Minor | 1 | 4A | 89 BPM | ||
Chopin: Piano Sonata No. 1 in C Minor, Op. 4: II. Minuetto. Allegretto | Frédéric Chopin, Leif Ove Andsnes | E♭ Major | 0 | 5B | 148 BPM | ||
Symphony No. 4 in E Minor, Op. 98: III. Allegro giocoso | Johannes Brahms, David Zinman | C Major | 2 | 8B | 121 BPM | ||
Czech Suite in D Major, Op. 39, B. 93: IV. Romanza. Andante con moto | Antonín Dvořák, Prague Chamber Orchestra, Josef Vlach | G Major | 1 | 9B | 142 BPM |
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