"The Trojan Women: Cassandra - Produced" by Karel Husa, Brno State Orchestra was released on 1998. The Trojan Women: Cassandra - Produced is about six minutes long, preciously at 6:06, making this song fairly long compared to other songs. The track order of this song in Karel Husa's "KAREL HUSA: The Trojan Women , Fantasies For Orchestra , Divertimento For Brass Ensemble And Percussion" album is number 9 out of 12. On top of that, United States appears to be the country where this track was created. Based on our statistics, The Trojan Women: Cassandra - Produced's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of The Trojan Women: Cassandra - Produced by Karel Husa, Brno State Orchestra to be Allegro (fast, quick, and bright) because the track has a tempo of 126 BPM, a half-time of 63BPM, and a double-time of 252 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 5/4.
This song is in the music key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
交響曲第3番 作品89 - 第4楽章 Finale. Allegro Giocoso | James Barnes, Yutaka Sado, Siena Wind Orchestra | G Major | 6 | 9B | 116 BPM | ||
Dr. Merryheart: V. Variation 4: Merryheart As a Chivalrous Knight Chases Bluebeard (Als ritterlicher Kampe verfolgt Merryheart den Blaubart) | RTÉ National Symphony Orchestra, Havergal Brian | F Major | 2 | 7B | 92 BPM | ||
Smetana Fanfare | Karel Husa, Rutgers Wind Ensemble, William Berz | D Minor | 4 | 7A | 113 BPM | ||
Lady in the Dark - Symphonic Nocturne (arr. R.R. Bennett): I. My Ship: Andante misterioso | Kurt Weill, Robert Russell Bennett, Bournemouth Symphony Orchestra, Marin Alsop | C Major | 0 | 8B | 73 BPM | ||
St. Paul's Suite, Op. 29, No. 2: II. Ostinato | Gustav Holst, Budapest Strings, Karoly Botvay | C Major | 0 | 8B | 121 BPM | ||
King Kristian II, Op. 27: II. Elegie: III. Musette | Jean Sibelius, New Zealand Symphony Orchestra, Pietari Inkinen | A♭ Major | 0 | 4B | 104 BPM | ||
Fountains of Rome, P. 106: II. The Triton Fountain in the Morning | Ottorino Respighi, Orchestra Sinfonica Nazionale Della RAI, Robert Trevino | C Major | 1 | 8B | 66 BPM | ||
Romeo and Juliet, Suite No. 2, Op. 64ter: I. The Montagues and Capulets | Sergei Prokofiev, Antwerp Symphony Orchestra, Elim Chan | B Major | 0 | 1B | 124 BPM | ||
Concerto for Soprano Saxophone and Wind Ensemble: I. Prelude | Timothy McAllister, ASU Wind Ensemble | G Minor | 5 | 6A | 102 BPM | ||
Trittico: II. Adagio | Václav Nelhýbel, Dallas Wind Symphony, Frederick Fennell | F Major | 1 | 7B | 74 BPM |
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