- BPM
- 62
- Key
- E♭ Major
- Camelot
- 5B
Il re pastore, K.208 / Act 2: "L'amerò, sarò costante" - Wolfgang Amadeus Mozart, Renée Fleming, Orchestra of St. Luke's, Sir Charles Mackerras Information
- Acousticness
- 98%
- Danceability
- 33%
- Energy
- 4%
- Instrumentalness
- 3%
- Liveness
- 9%
- Loudness
- 57%
- Speechiness
- 5%
- Valence
- 7%
- Popularity
- 11%
- Loudness
- -25.9 dB
Summary
"Il re pastore, K.208 / Act 2: "L'amerò, sarò costante"" by Wolfgang Amadeus Mozart, Renée Fleming, Orchestra of St. Luke's, Sir Charles Mackerras was released on January 9, 2022. Since Il re pastore, K.208 / Act 2: "L'amerò, sarò costante" is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Wolfgang Amadeus Mozart, Various Artists's "Mozart Opera" album is number 28 out of 58. On top of that, United Kingdom appears to be the country where this track was created. Il re pastore, K.208 / Act 2: "L'amerò, sarò costante" is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Il re pastore, K.208 / Act 2: "L'amerò, sarò costante" BPM
We consider the tempo marking of Il re pastore, K.208 / Act 2: "L'amerò, sarò costante" by Wolfgang Amadeus Mozart, Renée Fleming, Orchestra of St. Luke's, Sir Charles Mackerras to be Larghetto (rather broadly) because the track has a tempo of 62 BPM, a half-time of 31BPM, and a double-time of 124 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
Il re pastore, K.208 / Act 2: "L'amerò, sarò costante" Key
The music key of this track is E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Carmen Suite No. 1 (Arr. E. Guiraud): III. Intermezzo | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | A♭ Major | 3 | 4B | 161 BPM | |
 | Preghiera (Arr. by Fritz Kreisler from Piano Concerto No. 2 in C Minor, Op. 18, 2nd Movement) | Sergei Rachmaninoff, Gidon Kremer, Daniil Trifonov | C Major | 1 | 8B | 104 BPM | |
 | Violin Concerto No. 1 in A Minor, BWV 1041: I. Allegro moderato | Johann Sebastian Bach, Hilary Hahn, Los Angeles Chamber Orchestra, Jeffrey Kahane | A Minor | 3 | 8A | 105 BPM | |
 | Auf dem Wasser zu singen, D. 774 - Transcription: Franz Liszt, Searle 558 No. 2 | Franz Schubert, Evgeny Kissin | E♭ Major | 0 | 5B | 71 BPM | |
 | Waltz No. 7 in C-Sharp Minor, Op. 64 No. 2 | Frédéric Chopin, Alice Sara Ott | F Minor | 1 | 4A | 80 BPM | |
 | Winterreise, Op. 89, D. 911: No. 21, Tauschung (Arr. T. Zimmermann and H. Holl) | Franz Schubert, Peter Härtling, Tabea Zimmermann, Hartmut Höll | A Major | 0 | 11B | 119 BPM | |
 | Lyric Pieces, Book 5, Op. 54: Nocturne | Edvard Grieg, Alessio Bax | C Major | 0 | 8B | 72 BPM | |
 | Concerto Grosso in D Major, Op. 1, No. 5: I. Largo | Pietro Locatelli, Capella Istropolitana, Jaroslav Krcek | D Major | 1 | 10B | 119 BPM | |
 | Goldberg Variations, BWV 988: Variatio 7 a 1 ovvero 2 Clav. Al tempo di Giga | Johann Sebastian Bach, Lang Lang | G Major | 1 | 9B | 71 BPM | |
 | Nocturne No. 2 in C Minor | John Field, Benjamin Frith | C Minor | 0 | 5A | 67 BPM |
- ISRC
- GBF079541904
- Label
- L-M Records/RCA Records
Section: 0.8042476177215576
End: 0.8079664707183838