"La gara degli dei: "In facor del sen fecondo"" by Alexandra Coku, Carl Philipp Emanuel Bach Chamber Orchestra, Hartmut Haenchen was released on April 26, 2013. With La gara degli dei: "In facor del sen fecondo" being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The track order of this song in Various Artists's "Heinichen: La gara degli dei" album is number 9 out of 27. On top of that, Germany appears to be the country where this track was created. Based on our statistics, La gara degli dei: "In facor del sen fecondo"'s popularity is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of La gara degli dei: "In facor del sen fecondo" by Alexandra Coku, Carl Philipp Emanuel Bach Chamber Orchestra, Hartmut Haenchen to be Allegro (fast, quick, and bright) because the track has a tempo of 138 BPM, a half-time of 69BPM, and a double-time of 276 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.
A Minor is the music key of this track. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Große Messe C Major, op.86: Kyrie | Ludwig van Beethoven, Regine Hangler, Martina Mikelic, Ilker Arkayürek, Christian Hübner, Chor von St. Augustin, Robert Rieder | G Major | 1 | 9B | 92 BPM | ||
Messa di Gloria: Kyrie eleison | Giacomo Puccini, Gunnar Lundberg, Antonello Palombi, Hungarian Radio Chorus, Hungarian Operetta Orchestra, Pier Giorgio Morandi | G Major | 1 | 9B | 92 BPM | ||
Ein deutsches Requiem, Op. 45: Wie lieblich sind dein Wohnungen - Arr. for Voices and 2 Pianos | Johannes Brahms, Rundfunkchor Berlin, Simon Halsey, Philip Mayers, Phillip Moll | E♭ Major | 1 | 5B | 80 BPM | ||
Requiem in D minor, K.626: Recordare | Wolfgang Amadeus Mozart, Arleen Auger, Cecilia Bartoli, Vinson Cole, René Pape, Wiener Philharmoniker, Sir Georg Solti | B♭ Major | 3 | 6B | 100 BPM | ||
St. Paul, Op. 36: Part II, Scene V, "Und es war ein Mann zu Lystra" (Recitative) | American Symphony Orchestra, Alexandra Coku | E Major | 0 | 12B | 123 BPM | ||
Psalm 42, Op. 42: III. Recitativo "Meine Tränen sind" | Felix Mendelssohn, Ruth Ziesak, Deutsche Kammerphilharmonie Bremen, Frieder Bernius | A Minor | 1 | 8A | 110 BPM | ||
Haydn: The Creation, Hob. XXI:2, Pt. 3: No. 30c, Chorus."Hail! Bounteous Lord!" | Joseph Haydn, CBSO Chorus/City of Birmingham Symphony Orchestra/Sir Simon Rattle, City of Birmingham Symphony Chorus, Sir Simon Rattle, City Of Birmingham Symphony Orchestra | B♭ Major | 3 | 6B | 109 BPM | ||
Lauda Sion, Op. 73: V. Docti sacris institutis | Felix Mendelssohn, Deutsche Kammerphilharmonie Bremen, Kammerchor Stuttgart, Frieder Bernius | D Major | 1 | 10B | 94 BPM | ||
Elias, Op. 70, MWV A25, Part I: No. 18, Arioso "Weh ihnen, daß sie von mir weichen" (Angel I) | Felix Mendelssohn, Monica Groop, Orchestre des Champs-Élysées, Philippe Herreweghe | D Major | 3 | 10B | 109 BPM | ||
Tränen II | Eduard Marxsen, Anthony Spiri, Alexandra Coku | G Minor | 2 | 6A | 114 BPM |
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