746 Feaf made "An Oral History" available on November 11, 2020. An Oral History appears to be safe for all ages as it is not explicit. There are a total of 12 in the song's album "Sentimental Journey". In this album, this song's track order is #12. Furthermore, we believe that the track originated from United States. An Oral History is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With An Oral History by 746 Feaf having a BPM of 70 with a half-time of 35 BPM and a double-time of 140 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
A♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
In A Shanty In Old Shanty Town | Johnny Long | F Major | 3 | 7B | 168 BPM | ||
I Don'T Know Whether to Laugh or Cry over You | Bob Crosby | C Minor | 2 | 5A | 104 BPM | ||
This Cant Be Love | Guy Lombardo Trio | G Major | 2 | 9B | 177 BPM | ||
The You and Me That Used to Be | Rudy Vallee and His Connecticut Yankees | F Major | 1 | 7B | 101 BPM | ||
Medley of Tunes from 23 and a Half Hours Leave | Carroll Gibbons | C Minor | 2 | 5A | 96 BPM | ||
This Is Worth Fighting For | Shep Fields & His New Music, Shep Fields, Ray Ekstrand, Al Freistat, Ben Glassman, Tom L. Lucas, Babe Fresk, Bob Lawson, Berg Vaughn, George Ford, Bill Clifton, Tony Kay, Al Benson, Simon (Sid) Greenfield, Ken Carter | D♭ Major | 1 | 3B | 88 BPM | ||
Baby, Won't You Please Come Home | Jimmie Lunceford | F Major | 4 | 7B | 171 BPM | ||
Remember | Larry Clinton | C Minor | 4 | 5A | 174 BPM | ||
Streamline - alternate take | Artie Shaw and his Strings | D Minor | 5 | 7A | 79 BPM | ||
Clear as Daylight | Gerhard Trede | F Major | 3 | 7B | 105 BPM |
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