"Qual turbine improvviso, SF A266: I. Qual turbine improvviso (Recitativo)" by Benedetto Marcello, La Floridiana, Nicoleta Paraschivescu, Núria Rial was released on June 16, 2023. With Qual turbine improvviso, SF A266: I. Qual turbine improvviso (Recitativo) being less than two minutes long, at 1:57, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 11 out of 30 in Benedetto Marcello: Sinfonias & Cantatas by Benedetto Marcello, La Floridiana, Nicoleta Paraschivescu, Núria Rial. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Qual turbine improvviso, SF A266: I. Qual turbine improvviso (Recitativo) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Qual turbine improvviso, SF A266: I. Qual turbine improvviso (Recitativo) by Benedetto Marcello, La Floridiana, Nicoleta Paraschivescu, Núria Rial is Andante (at a walking pace), since this song has a tempo of 77 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
E♭ Minor is the music key of this track. Because this track belongs in the E♭ Minor key, the camelot key is 2A. So, the perfect camelot match for 2A would be either 2A or 1B. While, a low energy boost can consist of either 2B or 3A. For moderate energy boost, you would use 11A and a high energy boost can either be 4A or 9A. However, if you are looking for a low energy drop, finding a song with a camelot key of 1A would be a great choice. Where 5A would give you a moderate drop, and 12A or 7A would be a high energy drop. Lastly, 5B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
12 Concerti grossi, Op.6 - Concerto grosso in Bb major, Op. 6, No. 7: 1. Largo | George Frideric Handel, Handel & Haydn Society, Christopher Hogwood | E Major | 0 | 12B | 80 BPM | ||
B. Marcello Cello Sonata No. 4 in g minor III Largo | Benedetto Marcello, Ricardo Zúñiga, Yumiko Tokumoto, Teresa Toro | A Major | 5 | 11B | 177 BPM | ||
Vivaldi: Concerto for Two Trumpets in C Major, RV 537: II. Largo | Antonio Vivaldi, Sir Neville Marriner, Bernard Soustrot, Maurice André, Academy of St. Martin in the Fields | C Major | 0 | 8B | 99 BPM | ||
Le Tic-Toc-Choc, ou Les Maillotins: 18ème ordre, 3ème livre | François Couperin, Iddo Bar-Shaï | C Major | 3 | 8B | 145 BPM | ||
Rinaldo, HWV 7b: Act I Scene 7: Aria: Cara sposa, amante cara, dove sei? (Rinaldo) | George Frideric Handel, Marion Newman, Laura Whalen, Kimberley Barber, Jennifer Ens Modolo, Sean Watson, Barbara Hannigan, Giles Tomkins, Nicole Bower, Catherine Affleck, Melinda Delorme, Lenard Whiting, Opera in Concert, Aradia Ensemble, Kevin Mallon | E♭ Minor | 1 | 2A | 92 BPM | ||
Trumpet Sonata in D Major, Z. 850: I. Allegro | Henry Purcell, Ede Inhoff, Hungarian State Opera Chamber Orchestra | E♭ Minor | 0 | 2A | 83 BPM | ||
Trio Sonata No. 1 in A Minor: II. Fuga | William Boyce, Simon Standage, Collegium Musicum 90 | A♭ Minor | 1 | 1A | 81 BPM | ||
Sinfonia a quattro No. 4 in G Major, SF C779: II. Largo | Benedetto Marcello, La Floridiana, Nicoleta Paraschivescu | D♭ Minor | 3 | 12A | 81 BPM | ||
Déraisonnable beauté: Chaconne | Rinaldo Alessandrini | B Major | 1 | 1B | 124 BPM | ||
Concerto in C major for violoncello piccolo, strings and b.c.: Allegro | Giovanni Battista Sammartini, Camerata Köln | F♯ Major | 2 | 2B | 133 BPM |
Section: 0.5536172389984131
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