Ora Bat Chaim, Pforzheimer Streichquartett, Giora Feidman's 'I Am Not Alone: I. Fast and grotesque' came out on May 16, 2011. The duration of I Am Not Alone: I. Fast and grotesque is about 3 minutes long, at 3:14. Based on our data, "I Am Not Alone: I. Fast and grotesque" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Ora Bat Chaim, Giora Feidman, Vladislav Czarnecki, Südwestdeutsches Kammerorchester Pforzheim's "Love (Feidman Plays Ora Bat Chaim)" album is number 3 out of 13. On top of that, Germany appears to be the country where this track was created. Based on our statistics, I Am Not Alone: I. Fast and grotesque's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of I Am Not Alone: I. Fast and grotesque by Ora Bat Chaim, Pforzheimer Streichquartett, Giora Feidman to be Allegro (fast, quick, and bright) because the track has a tempo of 146 BPM, a half-time of 73BPM, and a double-time of 292 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 3/4.
This song has a musical key of F Minor. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Czardas pour plombinette | Vittorio Monti, Les Bons Becs, Florent Héau, Eric Baret, Laurent Bienvenu, Yves Jeanne, Bruno Desmouillières | D Minor | 1 | 7A | 152 BPM | ||
君のために | Fluffy crazy puppy | F♯ Major | 6 | 2B | 118 BPM | ||
The Easy Winter | Wieland Reissmann | D♭ Major | 2 | 3B | 165 BPM | ||
Shadows on the Abandoned Street: Second Movement | Shota Ikeda | D Minor | 4 | 7A | 128 BPM | ||
L’Endimione: Fandango (Transcr. for Chamber Orchestra) | Nicola Conforto, Daniel Hope, Zürcher Kammerorchester | C Minor | 0 | 5A | 96 BPM | ||
Rozhinkes mit Mandlen | Giora Feidman, Oscar Sher, Ami Frenkel, Ofer Shalhin, Shmuel Hershko | F Major | 2 | 7B | 143 BPM | ||
Mavra (arr. S. Dushkin): Mavra: Russian Maiden's Song, "Parasha's Aria" (arr. S. Dushkin for violin and piano) | Samuel Dushkin, Igor Stravinsky, Livia Sohn, Benjamin Loeb | G Minor | 0 | 6A | 140 BPM | ||
Czards | Alessandro Simonetto | D♭ Major | 8 | 3B | 139 BPM | ||
Dancing In The Field | Ora Bat Chaim, Giora Feidman | B Minor | 1 | 10A | 118 BPM | ||
Vals de Libunca | Clarinetes Ad Libitum | F Major | 2 | 7B | 100 BPM |
Section: 0.6112453937530518
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