Astor Piazzolla, Artemis Quartet, Jacques Ammon made "Piazzolla / Arr. Runge & Ammon: María de Buenos Aires, Scene 5: Fuga y misterio" available on March 5, 2021. With this song being around four minutes long, at 4:26, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Astor Piazzolla's "Libertango. The Best of Astor Piazzolla" album is number 3 out of 10. On top of that, United Kingdom appears to be the country where this track was created. The popularity of Piazzolla / Arr. Runge & Ammon: María de Buenos Aires, Scene 5: Fuga y misterio is currently not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
We consider the tempo marking of Piazzolla / Arr. Runge & Ammon: María de Buenos Aires, Scene 5: Fuga y misterio by Astor Piazzolla, Artemis Quartet, Jacques Ammon to be Vivace (lively and fast) because the track has a tempo of 170 BPM, a half-time of 85BPM, and a double-time of 340 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 4/4.
D Minor is the music key of this track. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Desde El Alma - Instrumental | Osvaldo Pugliese | B Minor | 2 | 10A | 90 BPM | ||
Prelude No.1 - Melodía lírica | Heitor Villa-Lobos, Pablo Sainz Villegas | E Minor | 3 | 9A | 127 BPM | ||
Finale (Tango Apasionado) | Astor Piazzolla, 1721 Project, Telalit Charsky, Nuphar Fey, Jean René Da Conceição, Victor Hugo Villena | C Minor | 1 | 5A | 95 BPM | ||
Concierto De Aranjuez: 1. Allegro Con Spirito | Paco de Lucía, Orquesta De Cadaques | F Major | 4 | 7B | 89 BPM | ||
Canción de Cuna | Agustín Barrios Mangoré, John Williams | D Major | 0 | 10B | 73 BPM | ||
Siete de Abril | Bryce Dessner | C Minor | 3 | 5A | 188 BPM | ||
Vivaldi: Il Giustino, RV 717, Act 1: "Vedrò con mio diletto" (Anastasio) | Antonio Vivaldi, Jakub Józef Orliński, Maxim Emelyanychev, Il Pomo D'oro | E♭ Major | 1 | 5B | 94 BPM | ||
Melancolico Buenos Aires | Sexteto Mayor | D Minor | 3 | 7A | 131 BPM | ||
Il Postino - Trio Version | Luis Bacalov | C Major | 2 | 8B | 67 BPM | ||
Tango Suite: 2. Andante | Sergio & Odair Assad | C Major | 0 | 8B | 75 BPM |
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