- BPM
- 79
- Key
- C Major
- Camelot
- 8B
Rhapsody for Alto, Chorus, and Orchestra, Op. 53 - Johannes Brahms, Jard van Nes, Tanglewood Festival Chorus, Boston Symphony Orchestra, Bernard Haitink Information
- Acousticness
- 98%
- Danceability
- 10%
- Energy
- 13%
- Instrumentalness
- 24%
- Liveness
- 11%
- Loudness
- 62%
- Speechiness
- 5%
- Valence
- 4%
- Popularity
- 1%
- Loudness
- -22.979 dB
Summary
"Rhapsody for Alto, Chorus, and Orchestra, Op. 53" by Johannes Brahms, Jard van Nes, Tanglewood Festival Chorus, Boston Symphony Orchestra, Bernard Haitink was released on November 1, 1994. Rhapsody for Alto, Chorus, and Orchestra, Op. 53 appears to be safe for all ages as it is not explicit. The song is number 5 out of 5 in Brahms: Symphony No. 3; Alto Rhapsody by Johannes Brahms, Bernard Haitink, Boston Symphony Orchestra. Going off of the ISRC code of this track, we detected that the origin of this track is from Netherlands. Rhapsody for Alto, Chorus, and Orchestra, Op. 53 is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Rhapsody for Alto, Chorus, and Orchestra, Op. 53 BPM
The tempo marking of Rhapsody for Alto, Chorus, and Orchestra, Op. 53 by Johannes Brahms, Jard van Nes, Tanglewood Festival Chorus, Boston Symphony Orchestra, Bernard Haitink is Andante (at a walking pace), since this song has a tempo of 79 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
Rhapsody for Alto, Chorus, and Orchestra, Op. 53 Key
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Moods, Impressions and Reminiscences, Op. 41, Book 4: No. 14. Poem | Zdeněk Fibich, Balazs Szokolay | D♭ Major | 0 | 3B | 133 BPM | |
 | Piano Concerto No. 2 in C Minor, Op. 18: I. Moderato | Sergei Rachmaninoff, Arthur Rubinstein, Fritz Reiner | C Minor | 1 | 5A | 71 BPM | |
 | Cançoneta for Violin and Orchestra | Joaquín Rodrigo, Agustín León Ara, Academy of St. Martin in the Fields, Sir Neville Marriner | A Major | 0 | 11B | 70 BPM | |
 | Nocturne No. 1 in B flat minor, Op. 9 No. 1 | Frédéric Chopin, Nelson Freire | D♭ Major | 0 | 3B | 62 BPM | |
 | String Quartet No. 2 in D Major: I. Allegro moderato | Alexander Borodin, Budapest Haydn Quartet | D Major | 1 | 10B | 75 BPM | |
 | Lieder ohne Worte, Op. 19, No. 1 | Felix Mendelssohn, Murray Perahia | E Major | 0 | 12B | 138 BPM | |
 | 16 Waltzes, Op. 39: 15. Waltz in A Flat | Johannes Brahms, Nelson Freire | A♭ Major | 0 | 4B | 72 BPM | |
 | 21 Hungarian Dances, WoO 1 (Arr. for Violin & Piano): No. 1 in G Minor | Joseph Joachim, Johannes Brahms, Baiba Skride, Lauma Skride | G Minor | 2 | 6A | 138 BPM | |
 | Variations on a Theme of Chopin, Op. 22: Variation No. 16 Lento | Sergei Rachmaninoff, Daniil Trifonov | D♭ Major | 0 | 3B | 177 BPM | |
 | Slavonic March, Op. 31, TH 45 | Pyotr Ilyich Tchaikovsky, Russian National Orchestra, Mikhail Pletnev | B♭ Minor | 2 | 3A | 110 BPM |
- ISRC
- NLA509301505
- Label
- L-M Records/RCA Records
Section: 0.6843130588531494
End: 0.6902153491973877