"Lost in Buenos Aires" by TATSURO MURAKAMI was released on March 18, 2022. With this song being around four minutes long, at 4:25, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 6 in the song's album "The Sound of Living Things". In this album, this song's track order is #4. Furthermore, we believe that the track originated from Japan. Based on our statistics, Lost in Buenos Aires's popularity is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Lost in Buenos Aires by TATSURO MURAKAMI having a BPM of 140 with a half-time of 70 BPM and a double-time of 280 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 4/4.
This song has a musical key of G Minor. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Fire Flys | Ishq, Yunomi | A♭ Minor | 0 | 1A | 65 BPM | ||
Flow in the Back | KENJI KIHARA | G Major | 0 | 9B | 73 BPM | ||
Behind the Eyes | Daniel Pemberton, FSOL | D Major | 4 | 10B | 88 BPM | ||
Slow Flow | KENJI KIHARA | B Major | 0 | 1B | 76 BPM | ||
Daniel | Oppressive Nights | A♭ Major | 1 | 4B | 69 BPM | ||
Imaginary Soundscape I, Postcard Six | Carlos Ferreira | D♭ Major | 3 | 3B | 87 BPM | ||
Baby Steps | Lightbath | F Minor | 3 | 4A | 71 BPM | ||
Plasma | Jogging House | B♭ Major | 0 | 6B | 72 BPM | ||
KOU / 口 | LI YILEI | G Minor | 2 | 6A | 116 BPM | ||
Tone | J Foerster, N KRAMER | E Major | 3 | 12B | 105 BPM |
Section: 0.695026159286499
End: 0.6981363296508789