On October 1, 1997, the song "Seasons in Hell: Act II: Charleville Summer 1863" was released by Harold Blumenfeld, College-Conservatory of Music Philarmonia, Rendall Gremillion, Philip Mark Horst, Elizabeth Saunders, Sara Lindell, Chad Smith, Mary Elizabeth Kures, Susana Diaz, James David Lynn, Robin Korsin, Alethea Kolgore, Dieter Cui, Gerhard Samuel. The duration of Seasons in Hell: Act II: Charleville Summer 1863 is about two minutes long, specifically at 2:13. This song does not appear to have any foul language. Seasons in Hell: Act II: Charleville Summer 1863's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 28 in the song's album "Seasons in Hell". In this album, this song's track order is #1. Furthermore, we believe that the track originated from United States. In terms of popularity, Seasons in Hell: Act II: Charleville Summer 1863 is currently unknown. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Seasons in Hell: Act II: Charleville Summer 1863 by Harold Blumenfeld, College-Conservatory of Music Philarmonia, Rendall Gremillion, Philip Mark Horst, Elizabeth Saunders, Sara Lindell, Chad Smith, Mary Elizabeth Kures, Susana Diaz, James David Lynn, Robin Korsin, Alethea Kolgore, Dieter Cui, Gerhard Samuel having a BPM of 91 with a half-time of 46 BPM and a double-time of 182 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 3/4.
This song is in the music key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Adams: Girls of the Golden West, Act I Scene 3: Josefa, you remember | John Adams, Los Angeles Philharmonic, Daniela Mack, Elliot Madore | A♭ Major | 3 | 4B | 83 BPM | ||
The Passing of the Year: III. Answer July | Jonathan Dove, Voces8 | C Major | 2 | 8B | 90 BPM | ||
La boîte à joujoux, L. 128: Épilogue | Claude Debussy, London Symphony Orchestra, Michael Tilson Thomas | F Minor | 0 | 4A | 91 BPM | ||
2 Songs of Walt Whitman: No. 2, Here the Frailest Leaves of Me | Ronald Roxbury, Patrick Mason, Susan Palma-Nidel, David Starobin | D Major | 0 | 10B | 97 BPM | ||
Saint Francois D'Assise / Premier Acte: "J'ai peur, sur la route" - 2e strophe (Frère Léon, Saint Francois) | Olivier Messiaen, Urban Malmberg, José van Dam, Hallé, Kent Nagano | D♭ Major | 2 | 3B | 169 BPM | ||
War Requiem, Op. 66: xxv. Libera Me - "Let us sleep now…" In paradisum | Benjamin Britten, Gianandrea Noseda, Sabina Cvilak, Ian Bostridge, Simon Keenlyside, Choir of Eltham College, London Symphony Chorus, London Symphony Orchestra | A Major | 0 | 11B | 111 BPM | ||
Symphony No. 1 in D Minor, "The Gothic": Part 1: I Allegro assai: section 1 | Havergal Brian, Vladimir Dolezal, Eva Jenisova, Peter Mikulas, Dagmar Peckova, Pavol Procházka, Bratislava Children's Choir, Bratislava City Chorus, Lucnica Chorus, Slovak Folk Ensemble Chorus, Slovak Opera Chorus, Slovak Philharmonic Choir, Echo Youth Choir, Slovak Philharmonic, Slovak Radio Symphony Orchestra, Ondrej Lenard | B♭ Major | 3 | 6B | 58 BPM | ||
Symphony No. 2 in B-Flat Major, Op. 52 "Hymn Of Praise": VI. Allegro un poco agitato "Stricke des Todes hatten uns umfangen" | Felix Mendelssohn, Werner Güra, Deutsche Kammerphilharmonie Bremen, Frieder Bernius | C Major | 1 | 8B | 104 BPM | ||
The Dream of Gerontius, Op. 38, Pt.2: But hark! a grand mysterious harmony | Sir Edward Elgar, Paul Groves, Alice Coote, Sir Mark Elder, Hallé | F Minor | 2 | 4A | 87 BPM | ||
El Niño: Pues Mi Dios Ha Nacido A Penar | John Adams, Kent Nagano, Deutsches Symphonie-Orchester Berlin | E Minor | 1 | 9A | 80 BPM |
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