- BPM
- 68
- Key
- B♭ Major
- Camelot
- 6B
Tomorrow Shall Be My Dancing Day (Arr. D. Wilcocks for Choir) - John Rutter, The Cambridge Singers Information
- Acousticness
- 99%
- Danceability
- 38%
- Energy
- 13%
- Instrumentalness
- 26%
- Liveness
- 20%
- Loudness
- 62%
- Speechiness
- 8%
- Valence
- 21%
- Popularity
- 0%
- Loudness
- -22.944 dB
Summary
John Rutter, The Cambridge Singers's 'Tomorrow Shall Be My Dancing Day (Arr. D. Wilcocks for Choir)' came out on November 6, 2020. With Tomorrow Shall Be My Dancing Day (Arr. D. Wilcocks for Choir) being less than two minutes long, at 1:56, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 12 out of 22 in Christmas Night: Carols of the Nativity (Remastered 2020) by John Rutter, The Cambridge Singers, City of London Sinfonia. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Tomorrow Shall Be My Dancing Day (Arr. D. Wilcocks for Choir) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Tomorrow Shall Be My Dancing Day (Arr. D. Wilcocks for Choir) BPM
The tempo marking of Tomorrow Shall Be My Dancing Day (Arr. D. Wilcocks for Choir) by John Rutter, The Cambridge Singers is Adagio (slowly with great expression), since this song has a tempo of 68 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
Tomorrow Shall Be My Dancing Day (Arr. D. Wilcocks for Choir) Key
This song is in the music key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | An English Suite: VI. Air | Hubert Parry, London Symphony Orchestra, Sir Adrian Boult | G Major | 0 | 9B | 91 BPM | |
 | Allegri: Miserere - 05. Auditui Meo Dabis | The Tallis Scholars, Peter Phillips | A Major | 1 | 11B | 66 BPM | |
 | Nolo mortem peccatoris | Thomas Morley, Stile Antico | F Minor | 1 | 4A | 79 BPM | |
 | Brahms: How Lovely are Thy Dwellings | The Choir Of Waltham Abbey, Stuart Nicholson | E♭ Major | 1 | 5B | 125 BPM | |
 | Christ fuhr gen Himmel | Sjaella | E Minor | 1 | 9A | 134 BPM | |
 | Hide not thou thy face | Richard Farrant, The Cambridge Singers, John Rutter | D♭ Major | 1 | 3B | 88 BPM | |
 | 12 Lieder und Romanzen, Op. 44: No. 10: Und gehst du uber den Kirchhof | Johannes Brahms, The Cambridge Singers, John Rutter | G Major | 3 | 9B | 84 BPM | |
 | Rigaudon | André Campra, Douglas Bush, David Brown | A Major | 1 | 11B | 68 BPM | |
 | A Choral Amen | John Rutter, The Cambridge Singers | E Major | 1 | 12B | 71 BPM | |
 | Give us the wings of faith | James Whitbourn, Westminster Williamson Voices, Ken Cowan, James Jordan | A Minor | 2 | 8A | 85 BPM |
- ISRC
- GBAKR2052612
- Label
- L-M Records/RCA Records
Section: 1.1055874824523926
End: 1.111689805984497