Carlo Savina made "Trinità e Sartana figli di..., Seq. 15" available on 1972. With Trinità e Sartana figli di..., Seq. 15 being less than two minutes long, at 1:58, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 25 in the song's album "Trinità e Sartana, figli di... (Original Motion Picture Soundtrack)". In this album, this song's track order is #15. Furthermore, we believe that the track originated from Italy. Based on our statistics, Trinità e Sartana figli di..., Seq. 15's popularity is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Trinità e Sartana figli di..., Seq. 15 by Carlo Savina having a BPM of 127 with a half-time of 64 BPM and a double-time of 254 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
C Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
In Bicicletta | Luis Bacalov | A Major | 2 | 11B | 106 BPM | ||
Roman March | Carlo Savina, The Rome Symphony Orchestra | G Minor | 2 | 6A | 99 BPM | ||
Bizet: Carmen, WD 31, Act 1 Scene 4: No. 5, Havanaise, "L'amour est un oiseau rebelle" (Carmen, Chorus) | Georges Bizet, Maria Callas, Orchestre de l'Opéra National de Paris, Georges Prêtre, Orchestre du Théâtre National de l'Opéra Paris | D Major | 1 | 10B | 134 BPM | ||
For Whom The Bell Tolls | Cho Young-Wuk | G Minor | 2 | 6A | 121 BPM | ||
Dans l'ombre | Vladimir Cosma, Greg Zlap, Marius Preda, Claude Salmieri, Slim Pezin | B Minor | 2 | 10A | 174 BPM | ||
Gone With The Wind - Tara's Theme | Max Steiner | F Major | 2 | 7B | 101 BPM | ||
At the Codfish Ball | David Carbonara | F Major | 2 | 7B | 67 BPM | ||
The Hollow | Christopher Gunning, Rumon Gamba, BBC Philharmonic | F♯ Minor | 1 | 11A | 111 BPM | ||
Old House | Stavisky Orchestra, Jacques Mercier, Carlo Savina | F♯ Major | 1 | 2B | 74 BPM | ||
Uragano II | Enzo Masetti, Carlo Savina | A Major | 4 | 11B | 83 BPM |
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