"Adagio for Strings, Op. 11 - Live" by Samuel Barber, Los Angeles Philharmonic, Leonard Bernstein was released on January 1, 2012. Adagio for Strings, Op. 11 - Live appears to be safe for all ages as it is not explicit. Because this song is the only song in Barber: Adagio – Meisterwerke and no other songs are present in the album, we classify this track as a single. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. In terms of popularity, Adagio for Strings, Op. 11 - Live is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Adagio for Strings, Op. 11 - Live by Samuel Barber, Los Angeles Philharmonic, Leonard Bernstein is Moderato (at a moderate speed), since this song has a tempo of 119 BPM. With that information, we can conclude that the song has a moderate tempo. This song can go great with walking. The time signature for this track is 4/4.
This song has a musical key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Mahler: Symphony No. 5 in C-Sharp Minor: IV. Adagietto (Sehr langsam) | Gustav Mahler, Sir John Barbirolli, New Philharmonia Orchestra | F Major | 0 | 7B | 87 BPM | ||
Suite (From "Le Fabuleux destin d'Amélie Poulain") | Renaud Capuçon | A Minor | 1 | 8A | 167 BPM | ||
The Planets, Op. 32: 4. Jupiter, the Bringer of Jollity | Gustav Holst, Los Angeles Philharmonic, Zubin Mehta | G Minor | 3 | 6A | 135 BPM | ||
Recomposed By Max Richter: Vivaldi, The Four Seasons: Autumn 1 | Max Richter, Daniel Hope, Raphael Alpermann, Konzerthaus Kammerorchester Berlin, Andre de Ridder | F Major | 1 | 7B | 114 BPM | ||
Agnus Dei (based on ADAGIO for Strings) | John Barry, Samuel Barber | B♭ Minor | 0 | 3A | 71 BPM | ||
Elevazione for Solo Oboe, Solo Cello, Strings and Organ (arr. V. Hunt) | Domenico Zipoli, Gordon Hunt, Norrköping Symphony Orchestra | F Major | 1 | 7B | 82 BPM | ||
Rhapsody on a Theme of Paganini, Op. 43: Variation XVIII | Sergei Rachmaninoff, Arthur Rubinstein, Fritz Reiner | D Major | 0 | 10B | 69 BPM | ||
Suite bergamasque, L. 75: 3. Clair de lune | Claude Debussy, Menahem Pressler | D♭ Major | 0 | 3B | 109 BPM | ||
The Rach. 3 (Part One) | David Helfgott, Orchestra, Ricky Edwards | C Minor | 3 | 5A | 124 BPM | ||
Schwanengesang, S. 560: No. 7, Ständchen "Leise flehen meine Lieder" | Franz Liszt, Murray Perahia | A♭ Major | 1 | 4B | 88 BPM |
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