"The King's Volunteers on Amager: Edouard has a melody in his thoughts" by Hans Christian Lumbye, Wilhelm Christian Holm, Aalborg Symphony Orchestra, Peter Ernst Lassen was released on January 1, 2005. The duration of The King's Volunteers on Amager: Edouard has a melody in his thoughts is about two minutes long, specifically at 2:55. This song does not appear to have any foul language. The King's Volunteers on Amager: Edouard has a melody in his thoughts's duration is considered a little bit shorter than the average duration of a typical track. The song is number 4 out of 206 in Ballet Music (Music To the Bournonville Ballets) by Aalborg Symphony Orchestra, Peter Ernst Lassen. Going off of the ISRC code of this track, we detected that the origin of this track is from Denmark. The King's Volunteers on Amager: Edouard has a melody in his thoughts is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of The King's Volunteers on Amager: Edouard has a melody in his thoughts by Hans Christian Lumbye, Wilhelm Christian Holm, Aalborg Symphony Orchestra, Peter Ernst Lassen is Andante (at a walking pace), since this song has a tempo of 81 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
March of the dwarfs | Edvard Grieg, Ad Hoc Wind Orchestra | C Minor | 1 | 5A | 134 BPM | ||
Wagner Lohengrin Bridal Choir Act II - Latvian State Symphony Orchestra Vilumanis Choir Latvija | Wagner, Latvian State Symphony Orchestra | B♭ Major | 0 | 6B | 69 BPM | ||
Napoli: Act I: Ballabile | Hans Christian Lumbye, Holger Simon Paulli, Niels Gade, Edvard Helsted, Signe Madsen, Lars Ole Schmidt, Aalborg Symphony Orchestra, Peter Ernst Lassen | E Major | 1 | 12B | 113 BPM | ||
Chantilly, Waltz, Op. 171 | Émile Waldteufel, Slovak State Philharmonic Orchestra, Kosice, Alfred Walter | B♭ Major | 2 | 6B | 99 BPM | ||
Jazz Suite No. 1: II. Polka | Dmitri Shostakovich, Russian State Symphony Orchestra, Dmitry Yablonsky | C Major | 2 | 8B | 134 BPM | ||
Aladdin Suite, Op. 34, FS 89: I. The Festival March | Carl Nielsen, South Jutland Symphony Orchestra, Niklas Willen | A Minor | 3 | 8A | 112 BPM | ||
Carmen, Opera Suite No. 1: IV. Aragonaise, Act 4 | London Festival Orchestra Alfred Scholz | D Minor | 1 | 7A | 123 BPM | ||
Ein Sommernachtstraum (A Midsummer's Night Dream): VII. Hochzeitsmarsch / Marche nuptiale | Felix Mendelssohn, Orchestre des Champs-Élysées, Philippe Herreweghe | C Major | 2 | 8B | 82 BPM | ||
Feuerfest Polka, Op. 269 | Strauss, Grand Philharmonia Orchestra | C Major | 1 | 8B | 135 BPM | ||
Das Rheingold: Scene II: Einleitung | Richard Wagner, Wolfgang Probst, Motti Kaston, Bernhard Schneider, Robert Kunzli, Michaela Schuster, Helga Ros Indridadottir, Mette Ejsing, Esa Ruuttunen, Eberhard Francesco Lorenz, Roland Bracht, Phillip Ens, Catriona Smith, Maria Theresa Ullrich, Margarete Joswig, Stuttgart State Opera Orchestra, Lothar Zagrosek | D♭ Major | 0 | 3B | 78 BPM |
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