"Manon / Act III: Obéissons quand leur voix appelle - Live" by Jules Massenet, Renée Fleming, Metropolitan Opera Chorus, The Metropolitan Opera, Marco Armiliato was released on January 13, 2023. With this song being around four minutes long, at 3:31, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Renée Fleming, The Metropolitan Opera's "Her Greatest Moments at the MET" album is number 13 out of 32. On top of that, United States appears to be the country where this track was created. In terms of popularity, Manon / Act III: Obéissons quand leur voix appelle - Live is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Manon / Act III: Obéissons quand leur voix appelle - Live by Jules Massenet, Renée Fleming, Metropolitan Opera Chorus, The Metropolitan Opera, Marco Armiliato to be Andante (at a walking pace) because the track has a tempo of 100 BPM, a half-time of 50BPM, and a double-time of 200 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Consolation No. 3 in D-Flat Major, S. 172/3 | Franz Liszt, Vladimir Horowitz | D♭ Major | 0 | 3B | 70 BPM | ||
Méditation, From Thaïs | Arts Music Recording, Rotterdam, Gil Sharon, Jules Massenet, Idith Zvi | D Major | 1 | 10B | 92 BPM | ||
Violin Concerto No. 10 in G Major: Largo | Joseph Boulogne Chevalier de Saint-Georges, Zhou Qian, Toronto Chamber Orchestra, Kevin Mallon | D Major | 1 | 10B | 186 BPM | ||
Pièces de Clavecin, Livre II, 6e ordre: V. Les Baricades Mistérieuses | François Couperin, Alexandre Tharaud | B♭ Major | 1 | 6B | 111 BPM | ||
Vocalise, Op 34, No. 14 | Sergei Rachmaninoff, Alisa Weilerstein, Inon Barnatan | E Minor | 0 | 9A | 87 BPM | ||
Orchestral Suite No. 3 in D Major, BWV 1068: II. Air "On a G String" (Arr. for Piano) | Johann Sebastian Bach, Lang Lang | D Major | 0 | 10B | 115 BPM | ||
Variations On A Theme By Chopin: Variation 1. Tranquillo e molto amabile | Federico Mompou, Daniil Trifonov | A Major | 0 | 11B | 66 BPM | ||
Werther: Act IV: Werther!... Werther!... Rien! | Jules Massenet, Georges Thill, Ninon Vallin, Paris National Opera Chorus, Paris National Opera Orchestra, Elie Cohen | D♭ Major | 2 | 3B | 90 BPM | ||
12 Songs, Op. 21: V. Lilacs (Transcr. Rachmaninoff for Solo Piano) | Sergei Rachmaninoff, Sergei Babayan | A♭ Major | 0 | 4B | 78 BPM | ||
Le roi s'amuse: Pavane | Léo Delibes, Slovak Philharmonic, Ondrej Lenard | B♭ Major | 0 | 6B | 91 BPM |
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