Fernando Sor, Jason Vieaux made "6 Bagatelles, Op. 43: No. 4. Mazurka" available on July 23, 1998. The duration of 6 Bagatelles, Op. 43: No. 4. Mazurka is about two minutes long, specifically at 2:16. This song does not appear to have any foul language. 6 Bagatelles, Op. 43: No. 4. Mazurka's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 36 in the song's album "Sor: 6 Bagatelles, Op. 43 / Progressive Pieces, Op. 44". In this album, this song's track order is #4. 6 Bagatelles, Op. 43: No. 4. Mazurka is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With 6 Bagatelles, Op. 43: No. 4. Mazurka by Fernando Sor, Jason Vieaux having a BPM of 49 with a half-time of 24 BPM and a double-time of 98 BPM, we would consider this track to have a Lento (slowly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
A Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Mompou: Suite Compostelana: Canción (extract)) | Federico Mompou, Oscar Ghiglia | A Minor | 1 | 8A | 90 BPM | ||
Preludes, Book 1: No. 8. La fille aux cheveux de lin (arr. for guitar) | Claude Debussy, Paul Galbraith | G Major | 0 | 9B | 92 BPM | ||
Rosita, Polka | Philip Hemmo | D Major | 2 | 10B | 77 BPM | ||
Kinderszenen, Op. 15: Träumerei (Arr. Lewin for Guitar) | Robert Schumann, Miloš Karadaglić | D Major | 0 | 10B | 81 BPM | ||
Tonada Sin Retorno | Eulogio Dávalos, Oscar Ohlsen, José Oplustil | E♭ Major | 0 | 5B | 84 BPM | ||
8 Etudes: 24 Studies, Op. 31, "Lecons progressives": No. 19 in A major | Norbert Kraft | A Major | 1 | 11B | 74 BPM | ||
La paloma (Arr. for Guitar by Francisco Tárrega) | Sebastián Iradier, Pablo Sainz Villegas | D Major | 0 | 10B | 128 BPM | ||
Ständchen | Judicaël Perroy | A Major | 0 | 11B | 74 BPM | ||
Rafaga | Joaquín Turina, Sebastien Llinares | A Major | 3 | 11B | 104 BPM | ||
Carcassi Op.26 N.4 Allegro | Matteo Carcassi, Lucio Matarazzo | A Minor | 3 | 8A | 140 BPM |
Section: 0.5873057842254639
End: 0.5927422046661377