On April 22, 2022, the song "無伴奏ヴァイオリン・パルティータ第1番 ロ短調 BWV 1002: VII. Tempo di Bourree" was released by Johann Sebastian Bach, Yayoi Toda. The duration of 無伴奏ヴァイオリン・パルティータ第1番 ロ短調 BWV 1002: VII. Tempo di Bourree is about two minutes long, specifically at 2:25. This song does not appear to have any foul language. 無伴奏ヴァイオリン・パルティータ第1番 ロ短調 BWV 1002: VII. Tempo di Bourree's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Johann Sebastian Bach, Yayoi Toda's "J.S.バッハ: 無伴奏ヴァイオリン・ソナタ&パルティータ(全曲)" album is number 11 out of 31. On top of that, Japan appears to be the country where this track was created. 無伴奏ヴァイオリン・パルティータ第1番 ロ短調 BWV 1002: VII. Tempo di Bourree is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of 無伴奏ヴァイオリン・パルティータ第1番 ロ短調 BWV 1002: VII. Tempo di Bourree by Johann Sebastian Bach, Yayoi Toda to be Adagio (slowly with great expression) because the track has a tempo of 70 BPM, a half-time of 35BPM, and a double-time of 140 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Lyric Pieces Book I, Op. 12: No. 7 Album Leaf | Edvard Grieg, Alice Sara Ott | D Major | 2 | 10B | 121 BPM | ||
Orfeo ed Euridice, Wq. 30 (Arranged by Sgambati): Melodie dell'Orfeo | Christoph Willibald Gluck, Yuja Wang | D Minor | 0 | 7A | 70 BPM | ||
Lo frate 'nnamorato: II. Andante | Giovanni Battista Pergolesi, Orchestra da Camera di Napoli, Enzo Amato | E Minor | 5 | 9A | 165 BPM | ||
Viola Concerto in G Major, TWV 51:G9: I. Largo | Georg Philipp Telemann, Ladislav Kyselák, Capella Istropolitana, Richard Edlinger | G Major | 1 | 9B | 144 BPM | ||
Keyboard Concerto No. 5 in F Minor, BWV 1056: I. [Allegro] | Johann Sebastian Bach, Simone Dinnerstein, Staatskapelle Berlin | B♭ Minor | 3 | 3A | 143 BPM | ||
(Ré)inventio: No. 13 in A Minor [After J.S. Bach's BWV 784] | Chiahu Lee, Johann Sebastian Bach, Yulia Vershinina-Mukhopadhyay | E Minor | 2 | 9A | 112 BPM | ||
Prelude In A Minor Op. 32 No. 8 | Vladimir Horowitz | F Major | 1 | 7B | 59 BPM | ||
Fantasia And Fugue In A Minor, BWV 904 : Fantasia | Janos Sebestyen, Johann Sebastian Bach | C Major | 2 | 8B | 138 BPM | ||
Suite in G minor: VII. Rigaudon (Arr. A. Camden) | George Frideric Handel, Anthony Camden, Julia Girdwood, City of London Sinfonia, Nicholas Ward | C Minor | 1 | 5A | 118 BPM | ||
Brandenburg Concerto No. 6 In B Flat Major, BWV 1051: I. Allegro | Cologne Chamber Orchestra, Johann Sebastian Bach | B♭ Major | 2 | 6B | 90 BPM |
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