"Le Lac des Cygnes, Op.20: Acte III, Scène 1" by L'Orchestre National du Bolchoï, Algys Juraitis was released on November 15, 2007. Since Le Lac des Cygnes, Op.20: Acte III, Scène 1 is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 25 in the song's album "Tchaikovsky: Le Lac des Cygnes (Les Etoiles du Bolchoï)". In this album, this song's track order is #14. Le Lac des Cygnes, Op.20: Acte III, Scène 1 is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Le Lac des Cygnes, Op.20: Acte III, Scène 1 by L'Orchestre National du Bolchoï, Algys Juraitis having a BPM of 76 with a half-time of 38 BPM and a double-time of 152 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No. 2 In C Minor - "Resurrection" / 1st Movement - Allegro maestoso (Totenfeier): Tempo I | Gustav Mahler, Wiener Philharmoniker, Gilbert Kaplan | C Minor | 1 | 5A | 78 BPM | ||
Variations on a theme of Frank Bridge, Op.10: 6. Bourrée Classique | Benjamin Britten, English Chamber Orchestra | D Major | 2 | 10B | 103 BPM | ||
Glazunov: Raymonda Suite, Op. 57a: I. (a) Introduction (Moderato) | Alexander Glazunov, Philharmonia Orchestra, Lovro Von Matacic | C Minor | 0 | 5A | 187 BPM | ||
Hérold & Lanchbery: La fille mal gardée, Act 1: No. 16c, Pas de deux de Fanny Elssler. Adage | Ferdinand Hérold, John Lanchbery, Royal Liverpool Philharmonic Orchestra, Barry Wordsworth | E♭ Major | 0 | 5B | 142 BPM | ||
Don Quixote: Act II: Giga | Ludwig Minkus, Sofia National Opera Orchestra, Nayden Todorov | F Major | 3 | 7B | 109 BPM | ||
Symphony No. 1 in D Major "Titan": IIId. Wieder etwas bewegter, wie im Anfang | Gustav Mahler, Leonard Bernstein, New York Philharmonic | C Major | 0 | 8B | 87 BPM | ||
Pictures at an Exhibition: V. Ballet of the Unhatched Chicks | Modest Mussorgsky, Leonard Bernstein, New York Philharmonic | D♭ Major | 1 | 3B | 85 BPM | ||
Piano Concerto N°1 in B-flat minor, Op. 23: I. Allegro | The London Symphony Orchestra - Philip Fowke | D♭ Major | 1 | 3B | 67 BPM | ||
Mandolin Concerto in C major, RV 425: I. Allegro | The London Symphony Orchestra and Others | C Major | 4 | 8B | 82 BPM | ||
Paquita: Variation 1: Tempo di valse (by Delibes) | Ludwig Minkus, Anna Takova-Baynova, Valentina Raicheva, Sofia National Opera Orchestra, Boris Spassov | A Major | 0 | 11B | 94 BPM |
Section: 0.7348062992095947
End: 0.7408370971679688