"Günther von Schwarzburg, Act II: Was seh ich?" by Ignaz Holzbauer, Clarry Bartha, La Stagione, Michael Schneider was released on January 1, 1994. With Günther von Schwarzburg, Act II: Was seh ich? being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The track order of this song in Ignaz Holzbauer, La Stagione, Michael Schneider, Claron McFadden, Christoph Prégardien's "Holzbauer: Günther von Schwarzburg" album is number 14 out of 47. On top of that, Germany appears to be the country where this track was created. The popularity of Günther von Schwarzburg, Act II: Was seh ich? is currently unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Günther von Schwarzburg, Act II: Was seh ich? by Ignaz Holzbauer, Clarry Bartha, La Stagione, Michael Schneider to be Vivace (lively and fast) because the track has a tempo of 170 BPM, a half-time of 85BPM, and a double-time of 340 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 4/4.
This song is in the music key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No. 6 in E Major, Wq. 182: III. Allegro spiritoso | Carl Philipp Emanuel Bach, Orchestra Of The 18th Century, Alexander Janiczek | E♭ Major | 2 | 5B | 173 BPM | ||
Concerto in C Minor, Op. 6 No. 3: III. Grave | Arcangelo Corelli, Musica Amphion, Pieter-Jan Belder | B♭ Minor | 2 | 3A | 70 BPM | ||
Sinfonia in E Major: IV. Allegro | Johan Helmich Roman, Camerata Nordica, Terje Tonnesen | B♭ Major | 2 | 6B | 113 BPM | ||
Sonata in D Minor: V. Fugue | Anne Danican Philidor, Héloïse Gaillard, Jeanne Jourquin, Eleanor Lewis | D♭ Minor | 3 | 12A | 115 BPM | ||
Viola d'amore Concerto in D Major, RV 392: III. Allegro | Antonio Vivaldi, Catherine Mackintosh, Orchestra of the Age of Enlightenment | D♭ Major | 3 | 3B | 133 BPM | ||
Sonata a 7 for 2 Trumpets in D Major: I. Grave | Petronio Franceschini, Niklas Eklund, Jeffrey Segal, Wasa Baroque Ensemble, Edward H. Tarr | E Minor | 1 | 9A | 66 BPM | ||
Quintet in G Major: II. Menuetto. Grazioso - Trio con variazioni | Ignaz Holzbauer, Camerata Köln | D♭ Major | 0 | 3B | 118 BPM | ||
3e Livre de Sonates à violon seul et basse continue, Sonata Sexta: II. Corrente | Jean-Baptiste Quentin, Anna Besson, Myriam Rignol, Jean Rondeau | A♭ Major | 1 | 4B | 105 BPM | ||
Anti-Masque | Anonymous, The Royal Wind Music, Paul Leenhouts | D♭ Major | 1 | 3B | 80 BPM | ||
Wassermusik Suite, TWV 55:C3 "Hamburger Ebb' und Fluth": II. Sarabande. Die schlafende Thetis | Georg Philipp Telemann, Robert King, The King's Consort | B Major | 3 | 1B | 128 BPM |
Section: 0.6771845817565918
End: 0.6815445423126221