On October 28, 2008, the song "Peer Gynt, Op. 23, Act II Scene 6: I Dovregubbens hall (In the Hall of the Mountain King) [Chorus, Troll Maiden, Troll Witches, Mountain King]" was released by Edvard Grieg, Hans Jacob Sand, Unni Løvlid, Kirsten Bråten Berg, Lena Willemark, Erik Hivju, Malmo Chamber Choir, Lund Kulturskolan Boys and Girls Chorus, Malmö Symphony Orchestra, Bjarte Engeset. The duration of Peer Gynt, Op. 23, Act II Scene 6: I Dovregubbens hall (In the Hall of the Mountain King) [Chorus, Troll Maiden, Troll Witches, Mountain King] is about two minutes long, specifically at 2:49. This song does not appear to have any foul language. Peer Gynt, Op. 23, Act II Scene 6: I Dovregubbens hall (In the Hall of the Mountain King) [Chorus, Troll Maiden, Troll Witches, Mountain King]'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Edvard Grieg, Bjarte Engeset's "Grieg: Orchestral Music, Vol. 5: Peer Gynt (Complete Incidental Music) - Foran Sydens Kloster - Bergliot" album is number 10 out of 35. On top of that, Hong Kong appears to be the country where this track was created. In terms of popularity, Peer Gynt, Op. 23, Act II Scene 6: I Dovregubbens hall (In the Hall of the Mountain King) [Chorus, Troll Maiden, Troll Witches, Mountain King] is currently not that popular. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
We consider the tempo marking of Peer Gynt, Op. 23, Act II Scene 6: I Dovregubbens hall (In the Hall of the Mountain King) [Chorus, Troll Maiden, Troll Witches, Mountain King] by Edvard Grieg, Hans Jacob Sand, Unni Løvlid, Kirsten Bråten Berg, Lena Willemark, Erik Hivju, Malmo Chamber Choir, Lund Kulturskolan Boys and Girls Chorus, Malmö Symphony Orchestra, Bjarte Engeset to be Moderato (at a moderate speed) because the track has a tempo of 117 BPM, a half-time of 58BPM, and a double-time of 234 BPM. Based on that, the speed of the song's tempo is moderate. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
A Minor is the music key of this track. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Lyric Pieces Book V, Op. 54: No. 4 Notturno | Edvard Grieg, Alice Sara Ott | D Major | 2 | 10B | 121 BPM | ||
Keyboard Sonata in D Minor, Kk. 1 | Domenico Scarlatti, Ivo Pogorelich | D Minor | 1 | 7A | 107 BPM | ||
Widmung, Op. 25 No. 1 (Arr. Franz Liszt) | Robert Schumann, Martin James Bartlett | A♭ Major | 0 | 4B | 74 BPM | ||
Debussy: Piano Trio in G Major, CD 5, L. 3: III. Andante espressivo | Claude Debussy, Bertrand Chamayou, Edgar Moreau, Renaud Capuçon | C Major | 1 | 8B | 84 BPM | ||
Concerto Grosso In D Major, Op. 6, No. 1 : II. Allegro | Arcangelo Corelli, Daniela Ruso, Quido Holbling, Anna Holbling, Ludovit Kanta, Capella Istropolitana | A Major | 3 | 11B | 131 BPM | ||
Schumann: 6 Studien in kanonischer Form, Op. 56: No. 1, Nicht schnell | Robert Schumann, Piotr Anderszewski | C Major | 0 | 8B | 173 BPM | ||
Préludes / Book 1, L. 117: 8. La fille aux cheveux de lin | Claude Debussy, Jean-Rodolphe Kars | E♭ Minor | 0 | 2A | 73 BPM | ||
Prelude In C Major, BWV 924 : Praeambulum In C Major, BWV 924 | Janos Sebestyen, Johann Sebastian Bach | C Major | 2 | 8B | 139 BPM | ||
Lyric Pieces, Book 5, Op. 54: Nocturne | Edvard Grieg, Alessio Bax | C Major | 0 | 8B | 72 BPM | ||
Adagio in F, H.XVII No.9 | Franz Joseph Haydn, Alfred Brendel | F Major | 0 | 7B | 71 BPM |
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