"8 Gedichte aus "Letzte Blätter", Op. 10, TrV 141: 3. Die Nacht" by Richard Strauss, Jessye Norman, Geoffrey Parsons was released on January 1, 1986. The duration of 8 Gedichte aus "Letzte Blätter", Op. 10, TrV 141: 3. Die Nacht is about 3 minutes long, at 3:01. Based on our data, "8 Gedichte aus "Letzte Blätter", Op. 10, TrV 141: 3. Die Nacht" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 20 in the song's album "Strauss, R.: 20 Lieder". In this album, this song's track order is #6. Furthermore, we believe that the track originated from Netherlands. 8 Gedichte aus "Letzte Blätter", Op. 10, TrV 141: 3. Die Nacht is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With 8 Gedichte aus "Letzte Blätter", Op. 10, TrV 141: 3. Die Nacht by Richard Strauss, Jessye Norman, Geoffrey Parsons having a BPM of 73 with a half-time of 36 BPM and a double-time of 146 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song has a musical key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
El sombrero de tres picos, Pt. 1: III. Danza de la molinera | Manuel de Falla, Carlos Miguel Prieto, The Orchestra of the Americas | D Major | 1 | 10B | 121 BPM | ||
Valses nobles et sentimentales, M.61: 5. Presque lent - dans un sentiment intime | Maurice Ravel, Cleveland Orchestra, Pierre Boulez | A♭ Minor | 0 | 1A | 76 BPM | ||
La Mer, L. 109: I. De l'aube à midi sur la mer | Claude Debussy, Valery Gergiev, London Symphony Orchestra | F♯ Major | 0 | 2B | 90 BPM | ||
10 Preludes, Op. 23: No. 5 Alla marcia in G Minor | Sergei Rachmaninoff, Sviatoslav Richter | E♭ Major | 0 | 5B | 70 BPM | ||
Violin Concerto No. 3 in B Minor, Op. 61: III. Molto moderato e maestoso | Camille Saint-Saëns, Itzhak Perlman, Orchestre de Paris, Daniel Barenboim | G Major | 2 | 9B | 96 BPM | ||
Sorochintsi Fair, Act I: Gopak (Hopak) | Modest Mussorgsky, Slovak Philharmonic, Kenneth Jean | G Major | 2 | 9B | 127 BPM | ||
Beethoven: Symphony No. 5 in C Minor, Op. 67: I. Allegro con brio | Ludwig van Beethoven, Wolfgang Sawallisch, Royal Concertgebouw Orchestra | C Minor | 2 | 5A | 90 BPM | ||
Pavane, Op. 50 (Version for Orchestra) | Gabriel Fauré, Orchestre de Chambre de Lausanne, Renaud Capuçon | F♯ Minor | 0 | 11A | 70 BPM | ||
Carmen Suite No. 1: 4. Les dragons d'Alcala | Georges Bizet, Orchestre de Paris, Semyon Bychkov | G Major | 0 | 9B | 117 BPM | ||
Variation 3: Con moto | Max Reger, New Zealand Symphony Orchestra, Franz-Paul Decker | A Minor | 0 | 8A | 70 BPM |
Section: 0.7488770484924316
End: 0.7518680095672607