"Rodney Bennett: Music for the Robert Bolt's 1973 Movies "Lady Caroline Lamb": No. 1, Caroline" by Richard Rodney Bennett, New Philharmonia Orchestra/Marcus Dods, Marcus Dods, New Philharmonia Orchestra was released on November 25, 2005. With Rodney Bennett: Music for the Robert Bolt's 1973 Movies "Lady Caroline Lamb": No. 1, Caroline being less than two minutes long, at 1:23, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 24 in the song's album "Sir Richard Rodney Bennett: Murder on the Orient Express . Lady Caroline Lamb [original soundtrack recordings]". In this album, this song's track order is #1. Rodney Bennett: Music for the Robert Bolt's 1973 Movies "Lady Caroline Lamb": No. 1, Caroline is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Rodney Bennett: Music for the Robert Bolt's 1973 Movies "Lady Caroline Lamb": No. 1, Caroline by Richard Rodney Bennett, New Philharmonia Orchestra/Marcus Dods, Marcus Dods, New Philharmonia Orchestra having a BPM of 64 with a half-time of 32 BPM and a double-time of 128 BPM, we would consider this track to have a Larghetto (rather broadly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song has a musical key of E Minor. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Kern: Nobody Else But Me (from "Show Boat", arr. Rodney Bennett) | Jerome Kern, Richard Rodney Bennett | E Minor | 1 | 9A | 70 BPM | ||
Elegy for Viola | michail kovalenko | A Minor | 1 | 8A | 115 BPM | ||
Slovak Suite, Op. 32: I. In the Church. Andante | Vítězslav Novák, Prague Philharmonia, Jiří Bělohlávek | G Major | 1 | 9B | 73 BPM | ||
By the Sleepy Lagoon | Eric Coates, David Parry, BBC Symphony Orchestra | C Major | 0 | 8B | 135 BPM | ||
Sammy and Rosie Get Laid | Stanley Myers | B♭ Major | 3 | 6B | 181 BPM | ||
Sketch of a Daddy | Haydn Wood, Slovak Radio Symphony Orchestra, Adrian Leaper | F Major | 1 | 7B | 115 BPM | ||
Tess | Philippe Sarde | A Minor | 2 | 8A | 129 BPM | ||
Copland: Appalachian Spring: VII. Doppio movimento (Variations on a Shaker Hymn - Simple Gifts) | Aaron Copland, Aurora Orchestra, Nicholas Collon | D♭ Major | 1 | 3B | 82 BPM | ||
Samba Triste (From Three Piece Suite) | Richard Rodney Bennett, John Harle | A Major | 3 | 11B | 126 BPM | ||
Café in Paris | Paul Englishby, Jeremy Holland-Smith | G Major | 1 | 9B | 77 BPM |
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