"Navarra, Op. 33, para Dos Violines y Orquesta - Remastered" by Pablo Martin Meliton Sarasate, Pablo de Sarasate had its release date on October 11, 2019. This song is about six minutes long, preciously at 6:17, making this song fairly long compared to other songs. There are a total of 56 in the song's album "Obras Completas (Remastered)". In this album, this song's track order is #9. Furthermore, we believe that the track originated from Germany. Navarra, Op. 33, para Dos Violines y Orquesta - Remastered is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Navarra, Op. 33, para Dos Violines y Orquesta - Remastered by Pablo Martin Meliton Sarasate, Pablo de Sarasate having a BPM of 85 with a half-time of 42 BPM and a double-time of 170 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 3/4.
This song has a musical key of D Minor. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Pelléas et Mélisande Suite, Op. 80: I. Prélude | Gabriel Fauré, Orchestre de Chambre de Lausanne, Renaud Capuçon | D Major | 0 | 10B | 95 BPM | ||
L'esprit Follet, Op. 48 (El Duendecillo) - Remastered | Pablo Martin Meliton Sarasate, Pablo de Sarasate | D Minor | 0 | 7A | 85 BPM | ||
Sinfonia concertante in F Major, Op. 38: III. Adagio | Franz Krommer, Orchestra della Svizzera Italiana, Howard Griffiths, Bruno Grossi, Marco Schiavon, Robert Kowalski | B♭ Major | 1 | 6B | 177 BPM | ||
3 Romanzen, Op. 94: No. 1. Nicht schnell | Robert Schumann, Kolja Blacher, Vassily Lobanov | A Minor | 1 | 8A | 129 BPM | ||
Jota Aragonesa, Op. 27 - Remastered | Pablo Martin Meliton Sarasate, Pablo de Sarasate | D Major | 2 | 10B | 156 BPM | ||
25 Études faciles et progressives, Op. 100: No. 24, L'hirondelle | Franz Burgmüller, The Gerst Ensemble | G Major | 0 | 9B | 197 BPM | ||
Le disparu, FP 134 (Arr. Haginomori for Flute and Piano) | Francis Poulenc, Cocomi, Niu Niu | A Major | 0 | 11B | 72 BPM | ||
Le Domino noir, S. 30: Overture | Daniel Auber, Estonian National Symphony Orchestra, Neeme Järvi | C Major | 3 | 8B | 108 BPM | ||
Reineke Fuchs (Arr. H. Ruhmann for Narrator & Chamber Ensemble): Vorspiel | Peter Kiesewetter, Heinz Rühmann, Symphonieorchester des Bayerischen Rundfunks | A Major | 1 | 11B | 38 BPM | ||
Symphony No. 9 in D Major: I. Andante comodo: No. 8, Plötzlich bedeutend langsamer und leise | Gustav Mahler, Mahler Academy Orchestra, Philipp von Steinaecker | D♭ Major | 0 | 3B | 86 BPM |