György Cziffra's 'Carnaval Op.9 (Scènes Mignonnes Sur Quatre Notes)-Eusebius' came out on 1993. With Carnaval Op.9 (Scènes Mignonnes Sur Quatre Notes)-Eusebius being less than two minutes long, at 1:46, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in György Cziffra's "Gyorgy Cziffra" album is number 10 out of 29. Carnaval Op.9 (Scènes Mignonnes Sur Quatre Notes)-Eusebius is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Carnaval Op.9 (Scènes Mignonnes Sur Quatre Notes)-Eusebius by György Cziffra to be Lento (slowly) because the track has a tempo of 48 BPM, a half-time of 24BPM, and a double-time of 96 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
3 Polkas de salon, Op. 7, JB 1:60: No. 1 in F-Sharp Major, Allegro commodo | Bedřich Smetana, Jitka Čechová | F♯ Major | 0 | 2B | 73 BPM | ||
12 Études, Op. 8: No. 12 in D-Sharp Minor | Alexander Scriabin, Garrick Ohlsson | E Major | 4 | 12B | 87 BPM | ||
Cirandinhas: III. Vamos, maninha (Let's go, little sister) | Heitor Villa-Lobos, Débora Halász | G Major | 1 | 9B | 144 BPM | ||
Russian Dead Ends: 36 | Nastasia Khrustcheva, Mariia Chernaia | G Minor | 4 | 6A | 103 BPM | ||
Cradle Song (Berceuse / Wiegenlied) Op. 45, in G-Flat Major - Duo-Art 5740 | Adolph von Henselt, Peter Phillips, Leopold Godowsky | D Minor | 0 | 7A | 130 BPM | ||
15 Virtuosity Studies, Op. 72 “Per Aspera”: VI. F Major | Moritz Moszkowski, Alain Raës | F Major | 2 | 7B | 112 BPM | ||
30 Études de mécanisme, Op. 849: No. 2 in C Major. Molto allegro | Carl Czerny, Nicolas Horvath | C Major | 1 | 8B | 178 BPM | ||
Brahms: Hungarian Dances, WoO 1: No. 5 in F-Sharp Minor | Johannes Brahms, György Cziffra | A♭ Major | 5 | 4B | 145 BPM | ||
Come Thou Fount with Day by Day | Only God Choir | E♭ Major | 3 | 5B | 93 BPM | ||
6 Waltzes, Op. 28: No. 1, Passionato | Xaver Scharwenka, Seta Tanyel | C Major | 1 | 8B | 124 BPM |
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