Georg Philipp Telemann, Cappella Coloniensis, Hans-Martin Linde made "Overture (Suite) in C Major, TWV 55:C3: II. Sarabande: Die schlaffende Thetis" available on January 1, 2007. The duration of Overture (Suite) in C Major, TWV 55:C3: II. Sarabande: Die schlaffende Thetis is about two minutes long, specifically at 2:03. This song does not appear to have any foul language. Overture (Suite) in C Major, TWV 55:C3: II. Sarabande: Die schlaffende Thetis's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 25 in the song's album "Telemann, G.P.: Overture (Suites) in C Major / E Minor / F Major". In this album, this song's track order is #2. Furthermore, we believe that the track originated from Germany. In terms of popularity, Overture (Suite) in C Major, TWV 55:C3: II. Sarabande: Die schlaffende Thetis is currently unknown. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Overture (Suite) in C Major, TWV 55:C3: II. Sarabande: Die schlaffende Thetis by Georg Philipp Telemann, Cappella Coloniensis, Hans-Martin Linde having a BPM of 115 with a half-time of 58 BPM and a double-time of 230 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.
This song is in the music key of E Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
San Giovanni Battista: Sinfonia | Alessandro Stradella, Concerto Italiano, Rinaldo Alessandrini | D♭ Major | 1 | 3B | 64 BPM | ||
Concerto Grosso In F Major, Op. 6, No. 6 : III. Largo | Arcangelo Corelli, Quido Holbling, Daniela Ruso, Ludovit Kanta, Anna Holbling, Capella Istropolitana | D Minor | 1 | 7A | 55 BPM | ||
Sonata a 4 in D Major, WoO 4: V. Allegro | Arcangelo Corelli, Niklas Eklund, Wasa Baroque Ensemble, Edward H. Tarr | A Major | 3 | 11B | 123 BPM | ||
Vivaldi: Concerto for Two Violins and Two Cellos in D Major, RV 564: II. Largo | Antonio Vivaldi, Europa Galante, Fabio Biondi, Antonio Fantinuoli, Maurizio Naddeo, Raffaello Negri | F♯ Major | 2 | 2B | 124 BPM | ||
Concerto for Violoncello and Orchestra in D major: III. Larghetto, con poco moto | Leonardo Leo, Sol Gabetta, Andrés Gabetta | B Minor | 0 | 10A | 77 BPM | ||
Flute Sonata in E Minor: III. Presto | Frederick the Great, Berliner Barock Compagney | A♭ Minor | 1 | 1A | 128 BPM | ||
Oboe Concerto in B-Flat Major, Wq. 164, H. 466: III. Allegro moderato | Carl Philipp Emanuel Bach, Jozsef Kiss, Budapest Ferenc Erkel Chamber Orchestra | B♭ Major | 1 | 6B | 182 BPM | ||
Concerto à 4 No. 1 in G Minor: III. Allegro | Baldassare Galuppi, Aglaia Ensemble | B Minor | 1 | 10A | 84 BPM | ||
Symphony No. 5 in D Major, Op. 2, "St. Cecilia's Day Ode": III. Tempo di Minuetto | William Boyce, Aradia Ensemble, Kevin Mallon | D♭ Major | 1 | 3B | 93 BPM | ||
Concerto for Viola da Gamba and Strings in A major: III. Largo | Johann Pfeiffer, Hille Perl | F Minor | 0 | 4A | 106 BPM |
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