"Ghost of Frankenstein (orch. J. Morgan): Arrival at Vasario" by Hans J. Salter, RTE Concert Orchestra, Andrew Penny had its release date on December 1, 1993. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 32 in the song's album "Salter: Ghost of Frankenstein / House of Frankenstein". In this album, this song's track order is #20. Furthermore, we believe that the track originated from Hong Kong. Ghost of Frankenstein (orch. J. Morgan): Arrival at Vasario is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Ghost of Frankenstein (orch. J. Morgan): Arrival at Vasario by Hans J. Salter, RTE Concert Orchestra, Andrew Penny having a BPM of 67 with a half-time of 34 BPM and a double-time of 134 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of B♭ Minor. Which also means that the camelot key for this song is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Fire | Michael Abels | F♯ Major | 3 | 2B | 120 BPM | ||
Dive Into The Open | Simon Jordan | E Minor | 1 | 9A | 75 BPM | ||
The Ghost of Frankenstein: Monster Kidnaps Child / Monster's Desire | Hans J. Salter, John Morgan, Slovak Radio Symphony Orchestra, William Stromberg | B Major | 0 | 1B | 120 BPM | ||
Cello Concerto 'Earth, Sea, Air': I. Earth | Cheryl Frances-Hoad, Laura van der Heijden, BBC Scottish Symphony Orchestra, Ryan Wigglesworth | C Major | 0 | 8B | 81 BPM | ||
Sherlock Holmes and the Voice of Terror (orch. J. Morgan): March of Hate | Hans J. Salter, Frank Skinner, John Morgan, Slovak Radio Symphony Orchestra, William Stromberg | F♯ Major | 2 | 2B | 197 BPM | ||
Derelict Title (The Derelict) | Richard LaSalle, Hans J. Salter, Herman Stein | A♭ Major | 0 | 4B | 86 BPM | ||
Dracula Main Theme - From "Dracula" | John Hollingsworth | E♭ Major | 2 | 5B | 76 BPM | ||
The Adventures of Robin Hood: The Banquet | Erich Wolfgang Korngold, Moscow Symphony Orchestra, William Stromberg | G Major | 0 | 9B | 78 BPM | ||
5. Magicicada (Empatía), para Flauta, Contrabajo y Orquesta Gili Schwarzman, Flauta y Edicson Ruiz, Contrabajo - En Vivo | Arturo Márquez, Alondra de la Parra, La Orquesta Imposible | G Major | 1 | 9B | 112 BPM | ||
Teil 2 - Akte 6: Der silberne Schlüssel | Lovecraft - Chroniken des Grauens, Markus Winter, Howard Phillips Lovecraft, Detlef Bierstedt, Tommy Morgenstern, Wolfgang Pampel, Hans Bayer, Giovanna Winterfeld, Daniela Molina | G Major | 5 | 9B | 106 BPM |