Adam Falckenhagen, Alberto Crugnola made "Partita No. 1, Op. 1: III. Polonaise" available on March 6, 2012. The duration of Partita No. 1, Op. 1: III. Polonaise is about two minutes long, specifically at 2:30. This song does not appear to have any foul language. Partita No. 1, Op. 1: III. Polonaise's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Alberto Crugnola's "German Lute Music of the 18th Century" album is number 11 out of 95. On top of that, Germany appears to be the country where this track was created. Based on our statistics, Partita No. 1, Op. 1: III. Polonaise's popularity is not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
We consider the tempo marking of Partita No. 1, Op. 1: III. Polonaise by Adam Falckenhagen, Alberto Crugnola to be Allegro (fast, quick, and bright) because the track has a tempo of 137 BPM, a half-time of 68BPM, and a double-time of 274 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
F♯ Minor is the music key of this track. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Byrd: Christe redemptor a 4 | William Byrd, Fretwork | B♭ Major | 0 | 6B | 95 BPM | ||
Violin Sonata in G Minor, Op. 2 No. 3: I. Adagio | Michele Mascitti, Fabrizio Cipriani, Antonio Fantinuoli | B Major | 2 | 1B | 111 BPM | ||
A Sonata of Scots Tunes: O Mother what shall I do - Ettrick Banks - She Rose and let me in | James Oswald, Orpheus Musicus, Laura Martinez Boj, Sergio Suárez | D♭ Major | 1 | 3B | 87 BPM | ||
Sonata a 6 in A Minor, G. 14 | David Pohle, Clematis, Brice Sailly, Stéphanie de Failly | C Major | 2 | 8B | 120 BPM | ||
Suite in C Minor: No. 5. Menuet | Nigel North | B Minor | 1 | 10A | 133 BPM | ||
Guitar Sonata No. 10 in D Major, MS 84 | Niccolò Paganini, Mauro Bonelli | E♭ Major | 2 | 5B | 121 BPM | ||
Toccata sesta | Girolamo Frescobaldi, Sigrun Stephan | A Minor | 6 | 8A | 117 BPM | ||
Fantasia Basso solo | Bartolomeo de Selma, Sylvain Bergeron, Margaret Little | A Minor | 1 | 8A | 77 BPM | ||
Lute Sonata No. 6: III. Sarabanda | Giovanni Zamboni, Luciano Còntini | A♭ Minor | 0 | 1A | 89 BPM | ||
Aria | Adam Falckenhagen, John Schneiderman | A♭ Major | 3 | 4B | 112 BPM |
Section: 0.6169815063476562
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