"Wir glauben all an einen Gott, BWV 680 (Arr. for Orchestra by Ralph Vaughan Williams)" by Johann Sebastian Bach, London Choral Sinfonia, Michael Waldron was released on February 9, 2024. The duration of Wir glauben all an einen Gott, BWV 680 (Arr. for Orchestra by Ralph Vaughan Williams) is about two minutes long, specifically at 2:42. This song does not appear to have any foul language. Wir glauben all an einen Gott, BWV 680 (Arr. for Orchestra by Ralph Vaughan Williams)'s duration is considered a little bit shorter than the average duration of a typical track. This song is part of Vaughan Williams: Retrospect by Ralph Vaughan Williams, London Choral Sinfonia, Michael Waldron, Jack Liebeck. The song's track number on the album is #9 out of 14 tracks. Based on our data, United Kingdom was the country where this track was produced or recorded. Wir glauben all an einen Gott, BWV 680 (Arr. for Orchestra by Ralph Vaughan Williams) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Wir glauben all an einen Gott, BWV 680 (Arr. for Orchestra by Ralph Vaughan Williams) by Johann Sebastian Bach, London Choral Sinfonia, Michael Waldron has a tempo of 79 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Wir glauben all an einen Gott, BWV 680 (Arr. for Orchestra by Ralph Vaughan Williams) being at 79 BPM, the half-time would be 40 BPM with a double-time of 158 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 3/4.
This song is in the music key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Deuxieme livre, Suite en Mi: X. Tambourin | Jean-Philippe Rameau, Alexander Paley | A Major | 1 | 11B | 130 BPM | ||
Sinfonia in C major, RV 112: II. Andante | Karoly Botvay | C Minor | 1 | 5A | 112 BPM | ||
Lo frate 'nnamorato: II. Andante | Giovanni Battista Pergolesi, Orchestra da Camera di Napoli, Enzo Amato | E Minor | 5 | 9A | 165 BPM | ||
Suite in B-Flat Major, HWV 434: IV. Menuet | George Frideric Handel, Khatia Buniatishvili | G Minor | 0 | 6A | 59 BPM | ||
Ouverture in D Major, "Darmstadt": Harlequinade | Georg Philipp Telemann, Cologne Chamber Orchestra, Helmut Muller-Bruhl | Dâ™ Major | 1 | 3B | 174 BPM | ||
Water Music (2001 Digital Remaster), Suite No. 3 in G Major: XIX - Menuet | George Frideric Handel, Prague Chamber Orchestra/Sir Charles Mackerras, Sir Charles Mackerras, Prague Chamber Orchestra | G Minor | 0 | 6A | 126 BPM | ||
Bach, JS : Well-Tempered Clavier Book 1 : Prelude No.2 in C minor BWV847 | Daniel Barenboim | C Minor | 1 | 5A | 68 BPM | ||
Oboe Concerto in D Minor, Op. 9, No. 2: I. Allegro e non presto | Tomaso Albinoni, Anthony Camden, London Virtuosi, John Georgiadis | D Minor | 2 | 7A | 145 BPM | ||
Orfeo ed Euridice, Wq. 30 (Arranged by Sgambati): Melodie dell'Orfeo | Christoph Willibald Gluck, Yuja Wang | D Minor | 0 | 7A | 70 BPM | ||
21 Hungarian Dances, WoO 1: Hungarian Dance No. 11 in D Minor | Seattle Symphony Orchestra, Johannes Brahms, Gerard Schwarz | A Minor | 0 | 8A | 76 BPM |
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