"Three Way, Act III "Masquerade": I Feel Like I Should Kiss You" by Robert Paterson, Courtney Ruckman, Melisa Bonetti, Wes Mason, Nashville Opera Orchestra, Dean Williamson had its release date on November 17, 2017. With This song being less than two minutes long, at 1:31, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 57 in the song's album "Robert Paterson: Three Way – A Trio of One-Act Operas". In this album, this song's track order is #14. Furthermore, we believe that the track originated from United States. Based on our statistics, Three Way, Act III "Masquerade": I Feel Like I Should Kiss You's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Three Way, Act III "Masquerade": I Feel Like I Should Kiss You by Robert Paterson, Courtney Ruckman, Melisa Bonetti, Wes Mason, Nashville Opera Orchestra, Dean Williamson having a BPM of 141 with a half-time of 70 BPM and a double-time of 282 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 4/4.
This song has a musical key of G Minor. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Stabat Mater, Op. 45: V. Corpus Morietur, Paradisi Gloria | Manuel Ruiz Del Corral, Varanus Ensemble | G Minor | 1 | 6A | 141 BPM | ||
Opinions Can't Break Me | Fiona Ubong | E♭ Minor | 2 | 2A | 151 BPM | ||
28 Variazions on Aria “ I Was Sleeping and Then I Dreamed” for Solo Flute in G Major: Variation 6 (Recomposed by Luca Astolfoni Fossi) | Johann Joachim Quantz, Claudio Ferrarini | G Major | 2 | 9B | 86 BPM | ||
Suite No. 1, "Orientale": I. Okenstamning: Adagio | Kurt Atterberg, Ferenc Balogh, Gyorgy Kertesz, Andras Kiss, Ilona Prunyi | B Minor | 1 | 10A | 61 BPM | ||
Fire Dance | David Watkins, Alexis Spanevello | A♭ Major | 0 | 4B | 127 BPM | ||
Hymn Tune Prelude on "Song 13" (Version for Orchestra) | Ralph Vaughan Williams, London Choral Sinfonia, Michael Waldron | G Major | 1 | 9B | 79 BPM | ||
Seaside | Carrie Baynes | E♭ Major | 2 | 5B | 66 BPM | ||
Im Walde | Friedrich Wilhelm Kücken, ffortissibros, Benedikt Kantert | A♭ Major | 1 | 4B | 65 BPM | ||
3 Songs, Op. 7: No. 1, Après un rêve (Arr. Rouger for Choir & Piano) | Gabriel Fauré, Katharina Schlenker, figure humaine kammerchor, Denis Rouger | B Minor | 0 | 10A | 119 BPM | ||
Sonata No. 10 in F Major, “L’ affetuosa”: III. Allegro assai | Giuseppe Sammartini, Claudio Ferrarini, Accademia Farnese | F Major | 4 | 7B | 137 BPM |