Les Contes d'Hoffmann / Act 3: "Vois sous l'archet frémissant" - Jacques Offenbach, Anne Sofie von Otter, Staatskapelle Dresden, Jeffrey Tate Information

Acousticness: 99%
Danceability: 50%
Energy: 8%
Instrumentalness: 0%
Liveness: 36%
Loudness: 59%
Speechiness: 7%
Valence: 52%
Popularity: 3%
Loudness: -24.392 dB

Summary

Jacques Offenbach, Anne Sofie von Otter, Staatskapelle Dresden, Jeffrey Tate made "Les Contes d'Hoffmann / Act 3: "Vois sous l'archet frémissant"" available on January 1, 1992. With this song being around four minutes long, at 4:02, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 59 in the song's album "Offenbach: Les Contes d'Hoffmann". In this album, this song's track order is #8. Furthermore, we believe that the track originated from Netherlands. Les Contes d'Hoffmann / Act 3: "Vois sous l'archet frémissant" is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.

Les Contes d'Hoffmann / Act 3: "Vois sous l'archet frémissant" BPM

With Les Contes d'Hoffmann / Act 3: "Vois sous l'archet frémissant" by Jacques Offenbach, Anne Sofie von Otter, Staatskapelle Dresden, Jeffrey Tate having a BPM of 65 with a half-time of 32 BPM and a double-time of 130 BPM, we would consider this track to have a Larghetto (rather broadly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.

Les Contes d'Hoffmann / Act 3: "Vois sous l'archet frémissant" Key

This song is in the music key of E Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Rachmaninov: Piano Concerto No. 3 in D Minor, Op. 30: I. Allegro ma non tanto (Excerpt)	Sergei Rachmaninoff, Mariss Jansons, St. Petersburg Philharmonic Orchestra	D Minor	2	7A	110 BPM
I. Basse-Danse	Peter Warlock, Metamorphosen Berlin, Wolfgang Emanuel Schmidt	D Minor	3	7A	191 BPM
Strauss Party	Johann Strauss I, Gioachino Rossini, Franz von Suppé, Franz Lehár, Hermann Dostal, Jacques Offenbach, André Rieu	G Major	7	9B	118 BPM
Holberg Suite, Op. 40: 3. Gavotte (Allegretto) - Musette (poco più mosso) - Gavotte	Edvard Grieg, Gothenburg Symphony Orchestra, Neeme Järvi	G Major	0	9B	78 BPM
Le barbier de Séville Largo al factotum - Instrumental Version	Arthur Fiedler, Boston Pops Orchestra	C Major	4	8B	77 BPM
Symphonie fantastique, Op. 14, H. 48: II. Un bal: Allegro non troppo	Hector Berlioz, Slovak Radio Symphony Orchestra, Pinchas Steinberg	C Major	1	8B	118 BPM
Strauss: Radetzky March, Op. 228	Johann Strauss I, Hallé, Bramwell Tovey	A Major	4	11B	122 BPM
Danse macabre in G Minor, Op. 40	Camille Saint-Saëns, Slovak Radio Symphony Orchestra, Keith Clark	G Minor	2	6A	116 BPM
Aida / Act 2: Grand March	Giuseppe Verdi, Orchestra Del Teatro Alla Scala, Milano, Claudio Abbado	E♭ Major	0	5B	110 BPM
Tosca: Act III: E lucevan le stelle … (Cavaradossi)	Giacomo Puccini, Nelly Miricioiu, Giorgio Lamberti, Silvano Carroli, Andrea Piccinni, Miroslav Dvorský, Jan Durco, Stanislav Beňačka, Jozef Spacek, Slovak Philharmonic Chorus, Slovak Radio Symphony Orchestra, Raimo Sirkia, Slovak Chamber Choir, Alexander Rahbari, Markus Lehtinen	F Major	0	7B	86 BPM

ISRC: NLA508543630
Label: L-M Records/RCA Records

Section: 0.7869763374328613

End: 0.790729284286499